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Fostex

Fostex

Fostex is a Japanese audio equipment manufacturer that produces headphones and earphones, speaker systems and speaker drivers, DACs and headphone amplifiers, and microphones.www.fostex.com

Search complete. 11 mentions across 9 episodes found for "Fostex".

Oct 11, 2026

J.R. BookwalterGUEST
13:23
Yeah.
J.R. BookwalterGUEST
13:24
Then later, there was a period of time where I had an eight-track reel-to-reel Fostex setup.
speaker_4SOUNDBITE_SPEAKER
13:30
Oh.
J.R. BookwalterGUEST
13:30
Yeah.
ShivaGUEST
22:52
right here.
ShivaGUEST
22:53
It's called a four-track by Fostex.
ShivaGUEST
22:55
This is...
ShivaGUEST
22:56
Everybody's want to know how FBM used to make their mixes.
Skip HellerGUEST
67:16
I don't think there's anything on this record, because remember, you know, this record was made on some Flintstones equipment.
Skip HellerGUEST
67:25
This is a four-track Fostex with, you know, what catches catch can signal processing.
Skip HellerGUEST
67:33
And it's the same with Joe Meek.
Skip HellerGUEST
67:35
When you see how deliberate his record-making strategies were.
Nate FarleyGUEST
19:02
I played bass and guitar on it.
Nate FarleyGUEST
19:03
We did it at my dad's house on, like, a Fostex, or on a Tascam four-track.
WillHOST
19:07
Of course.
DanHOST
19:08
Mm-hmm.
Nate FarleyGUEST
19:22
They gave it to you in shop class.
DanHOST
19:24
That's how-
Nate FarleyGUEST
19:26
Um, um, I had f- I had a Fostex four-track, and I think my dad had a Tascam, which was slightly nicer, so-
DanHOST
19:31
[laughs]
Chris CollierGUEST
7:11
Cause I had worked, my dad had an old like, he had a studio in the house when I was growing up.
Chris CollierGUEST
7:16
He had an old Fostex 16 channel, a 16-channel reel-to-reel half-inch machine, and I learned on that.
Chris CollierGUEST
7:23
And, you know, Tannoy studio monitors, which I blew up because I didn't know how low-end worked and all this stuff.
Chris CollierGUEST
7:28
And, you know, so I came from the analog side.
The String

The String

Buddy Miller

Sep 30 · 1 Mention

Buddy MillerGUEST
33:59
That's how we would demo Julie's songs, and that's how we basically would get recording.
Buddy MillerGUEST
34:07
I eventually found a way of just playing every night and doing what I could to save up and get a, I think it was a Fostex 8-track.
Buddy MillerGUEST
34:15
8-tracks on a quarter-inch tape.
Craig HavighurstHOST
34:17
Yeah.
Brad WorrellHOST
16:45
Legion of Doom didn't get to, didn't get to record in a, in a shitty recording studio.
Chris ShiflettGUEST
16:50
No, but Legion of Doom did make a really shitty Fostex four track demo.
Chris ShiflettGUEST
16:55
Nice.
Chris ShiflettGUEST
16:55
I do remember that.
Maggie SiebertGUEST
38:20
Actually, no, after that, because this album was recorded mostly in 2024, like October 24, and it took a while for it to come out, which I'm kind of happy with, honestly, that it marinated for a little bit.
Maggie SiebertGUEST
38:36
But... after that I was using, um, like a Fostex, like digital multi tracker.
Maggie SiebertGUEST
38:42
And that piece of gear had like a lot of really interesting, like cut up possibilities with it.
Maggie SiebertGUEST
38:48
Um, where you could do a lot of really interesting, um, just nasty, like digital stuff.
Mason StoopsGUEST
6:22
The album wouldn't have been the same because the album initially was gonna be...
Mason StoopsGUEST
6:26
I had a little Fostex tape machine that I loved and a, a $500 Mackie board that me and Jesse had hot-rodded, or mostly Jesse, and I watched him.
Lizzy McAlpineGUEST
6:37
[laughs]
Mason StoopsGUEST
6:37
And the record was gonna be so cool 'cause it was just gonna be the three of us in that little studio just really leaning into Lizzy's incredible guitar playing and Taylor's incredible piano playing and my incredible pushing the record button on the Fostex.
Lizzy McAlpineGUEST
6:53
[laughs]
Mason StoopsGUEST
6:54
And that was gonna be the record, and that was a really stressful day.

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