Face Pollution

Yeah.

We'll talk about a few other tracks on this record, but I think one of my favorites that maybe goes under the radar a little bit is Face Pollution.

Yeah.

Right.

And your drumming on that track, I think it's somewhere where Chris is actually singing Face Pollution and you're going underneath-

[laughs]

... with all these crazy rolls and stuff.

And then of course, it was also, it's also kinda interesting to hear when bands talk about the, the deep cut songs.

The squeal in Thile's guitar riff is outstanding.

For the metal lovers, Jesus Christ Pose and Face Pollution are the obvious winners on this album because they just hammer along and drag you into that headbanging action you know so well and force you to try and sing along at the same pitch that Cornell does, which is literally impossible.

But you have to try before eventually finding your own range of comfort.

As Slaves and Bulldozers rolls and segues into the brilliant Jesus Christ Pose with that fabulous riff over Cameron's amazing drum performance before Cornell's vocals just take off, you can only wonder in awe at how this band puts together so many unique sounds in a collection of songs.

Bass, guitar, drums, vocals.

No chance on all counts.

Face Pollution then follows this up at speed with not so much low-end guitar, but plenty of riffing and energy.

It is the perfect follow-up to what has come before it, restoring a pace and fire to the album to maintain the rage.