Éric Serra

It would try to make the scenes more seriously thrilling and the comedy maybe a little bit broader.

But the particular kind of musical idea and attitude brought to this movie by Eric Serra and whoever the music supervisor was, like...

It's some of the best music, I think, in a movie for that year.

It's awesome.

But I do think on a design point, I do think it looks gorgeous, production design.

I think that the score, like we mentioned before, it's very much like Eric Serra's rendition of GoldenEye in a way, where it's a little like, oh, that's different, because people become like, really hardcore for the likes of like what bond should be david arnold especially is like the the it is the bond score and i think casino is so good quantum you don't really get to hear it very much often but cassino has all the bells and whistles you know and the name is bond james bond that is then reiterated throughout the ending of the of um specter as well so Again, I think fashion design, exquisite.

I think the production design looks really good.

You get to see a bit of London here, there, and everywhere.

And whenever you went in, whenever there was a screening, the soundtrack was playing.

They always played the soundtrack, which included all of the Eric Serra stuff, which of course was the...

What was it called? Drive in the City or something like that? I forget what it was called, but it had his version of the Bond theme, which is replaced in the picture.

But yeah, always that.

And that wonderful

Eric Serra score where it's like there's bowls and weird percussion.

It's like amazing, amazing.

Yeah, that's good.

Cinematographer was Thierry Arbogast.

Edited by Sylvie Landra, with music by Eric Serra.

Originally released May 7th, 1997.

Had a budget of about $90 million, upon which it brought back almost $264 million at the international box office.