English Baroque Soloists

And so, yeah, that's the thing that, that's the blessing and the curse of recording.

What did you find interesting, you know, recording Mozart with the English Baroque soloists versus your work with Robert Shaw in Atlanta? Because I think it had to be two very different experiences and even approaches, even though it was the same music in some cases.

Yeah, and so for people who don't...

I don't really understand what this means what your question means so 18th century instruments are tuned slightly lower the strings are not.

Here is the overture.

It is about four minutes long, and this is John Elliot Gardner conducting the English Baroque soloists, Mozart's Idomeneo.

Idomeneo so ¶¶ ¶¶ ¦ ¦ ¦ ¦ ¦ ¦ Thank you.

That was John Eliot Gardner conducting the English Baroque soloists with the overture from Mozart's Idomeneo, King of Crete.

Okay, guess what? Time for another subgenre in the world of opera, but this one is easy.

Whilst most of the European courts believed for most of the 1700s that if the singers were not singing in Italian it wasn't an opera, there was some pushback developing.