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EMI Records

EMI Records

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Search complete. 44 mentions across 31 episodes found for "EMI Records".

Sep 17, 2026

Kelli WilliamsHOST
43:01
'Our investigation shows that contrary to listener expectations that songs are selected for airplay based on artistic merit and popularity, airtime is often determined by undisclosed payoffs to radio stations and their employees.
Kelli WilliamsHOST
43:17
This agreement is a model for breaking the pervasive influence of bribes in the industry.' Spitzer had requested documents and information from EMI, Warner Music Group, Vivendi Universal, SAS Universal Music Group, as well as from Sony BMG, which is a joint venture of Sony Corporations and Bertelsmann AG.
Kelli WilliamsHOST
43:39
Spitzer said his investigation showed Sony BMG paid for vacation packages and electronics for radio programmers, paid for-" contestant giveaways for listeners, paid some operational expenses of radio stations and hired middlemen known as independent promoters to provide illegal payments to radio stations to get more airplay for its artists.
Kelli WilliamsHOST
44:02
Spitzer also said emails among company executives showed top officials were aware of the payments.

15 MINS LATER

Troy McEadyHOST
59:16
As with all the investigations, the music company does not acknowledge guilt, but does admit, [laughs] but does admit individuals were partaking in illegal practices.
Troy McEadyHOST
59:26
UMG will also pay $100,000 to cover the cost of the investigation.
Troy McEadyHOST
59:31
Spitzer's office said that the investigation continues, and all eyes are on EMI.
Troy McEadyHOST
59:36
Spitzer sued Intercom Communications earlier this year, accusing the radio company's personnel of accepting cash payments for airplay.
R.R. RobbinsNARRATOR
58:11
Our theme song is Black, used with the permission of John Batiste.
R.R. RobbinsNARRATOR
58:15
Our end credits theme is Power to the People by John Lennon, courtesy of EMI Records and used with permission of the John Lennon Estate.
R.R. RobbinsNARRATOR
58:23
Agitation Nation is hosted by David Fenton.
R.R. RobbinsNARRATOR
58:25
Producing, editing, and announcing by me, R.R. Robbins.
Mark BradacGUEST
12:29
You know, I'm sure that was the, they were literally on an airplane.
Mark BradacGUEST
12:32
Rupert Perry and Bobby Columbia, drummer of Brunt Sweat and Tears, A&R guys, are literally on a plane coming to Toronto, then to come to Montreal to see the band with Dean Cameron from EMI Records in Canada, who was kind of in charge of the band because he was Canada.
Mark BradacGUEST
12:49
And when they arrived in Toronto, Dean had to say, sorry, guys, they don't want you in your session.
Mark BradacGUEST
12:54
what the fuck what we're not aware of this right god right just a catastrophe and and they just got they got right back in the airplane when they got back to the tower in la they said nah we pass yeah and that was it and then you know we we kind of continued but there was a lot of money at stake at that point who made the who made that guy the producer
JustinHOST
7:50
Queen promoted the unreleased album in February '73 on BBC Radio 1, still unsigned.
JustinHOST
7:56
The following month, Trident managed to strike a deal with EMI Records.
JustinHOST
8:00
Uh, Keep Yourself Alive was released as a single on the 6th of July, with the album Queen appearing a week later.
JustinHOST
8:08
Um, the front cover showed a shot of Mercury live on stage taken by Taylor's friend, Douglas Purdyfoot.

6 MINS LATER

JustinHOST
14:17
Uh, so May said he had penned the lyrics thinking of them as ironic and tongue-in-cheek, uh, but their sense was completely changed when Mercury sang them.
JustinHOST
14:26
Taylor and May sing the vocal bridge of the song.
JustinHOST
14:29
Uh, EMI Records released Keep Yourself Alive as a single in the United Kingdom on the 6th of July, 1973, a week before Queen hit the stores.
JustinHOST
14:37
After a few months, uh, on the 9th of October, uh, Elektra Records released the single in the United States.
Dave SchneiderHOST
139:22
It was fun talking to the Guster guys.
Dave SchneiderHOST
139:25
You know, recently in this radio station, I don't know who, but someone who worked for EMI Records, Brendan, the hedgehog, the head hog here, he sent out a message to all the DJs and programmers and people that work here.
Dave SchneiderHOST
139:40
We just got a thousand CDs and you just come on in.
Dave SchneiderHOST
139:43
And I was here before the text went through.
Jake BrennanHOST
25:39
It was funny, it was sad, it was exhilarating.
Jake BrennanHOST
25:41
But executives from EMI Records in the UK and Elektra Records in the US demanded that it be edited for radio.
Jake BrennanHOST
25:48
So you know what happened? Freddie Mercury slipped a copy of the song to London DJ Kenny Everett, who played it something like 14 times over the course of a couple of days.
Jake BrennanHOST
25:56
And then listeners, they decided.
Andrez HarriottGUEST
44:02
And it was various reasons that contributed to his decision.
Andrez HarriottGUEST
44:05
But we had left our record label, which was EMI Records, EMI Cool Tempo, We had then gone ahead and done something which now would be incredible, which was, you know, we wrote our own record.
Andrez HarriottGUEST
44:18
We put it out ourselves, et cetera.
Andrez HarriottGUEST
44:20
We went and toured with Gabrielle.
R.R. RobbinsNARRATOR
53:40
Our theme song is Black, used with permission of John Batiste.
R.R. RobbinsNARRATOR
53:44
Our end credits theme is Power to the People by John Lennon, courtesy of EMI Records and used with permission of the John Lennon Estate.
R.R. RobbinsNARRATOR
53:52
Agitation Nation is hosted by David Fenton.
R.R. RobbinsNARRATOR
53:55
Producing, editing, and announcing by me, R.R. Robbins.
Steve MorrisHOST
6:05
1978, a producer named Steve Verocca.
Steve MorrisHOST
6:09
A deal with EMI, not in America, but through the label's operation in the Netherlands.
Steve MorrisHOST
6:15
Nobody in the room could have known that a song called Baby It's You was about to become one of the biggest surprises of the year.
Steve MorrisHOST
6:23
Everywhere, except the country it was written in.

11 MINS LATER

Steve MorrisHOST
17:11
The video ran on high rotation on Sunday nights and the single climbed to number two on the Australian charts on the strength of that almost alone.
Steve MorrisHOST
17:20
And yet, in their own country, nothing.
Steve MorrisHOST
17:24
A dispute between EMI's European arm and Capitol Records in Los Angeles meant Promises was never released in the United States at all.
Steve MorrisHOST
17:33
I'm assuming you entered the music business with the idea of being famous.
Melody OrtizHOST
6:42
That album also failed to gain traction.
Melody OrtizHOST
6:44
Virgin was bought by EMI, and in 1993, Cutting Crew officially called it quits, sadly.
Melody OrtizHOST
6:49
What followed was a heartbreak.
Melody OrtizHOST
6:51
McMichael went on to play guitar with Led Zeppelin's Robert Plant on his solo album, Fate of Nations.

21 more episodes mention EMI Records.

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