Elmer Bernstein

can't be.

Like, it can't be, right? Like, it's Elmer Bernstein.

Like, you got...

Like, clearly he rewrote...

My understanding, though, once I did the research after the fact, is that, no, it is basically the same thing as the Psycho thing.

Like, it's...

He brought in Elmer Bernstein, who, like, is, again, of the contemporaries, like, one of the best film score writers of the time... to basically take Bernard Herrmann, arguably the best guy doing it in Hitchcock's time, take his score and basically tweak it and make it work for this.

But it's essentially the same music.

Ivan Reitman's comedies are big orchestral things.

He started with Elmer Bernstein doing Meatballs and Stripes and Ghostbusters, the first one.

Whereas I would not only do those, but I did My Cousin Vinny.

And I did The Mask.

Their chemistry is palpable, with much of their interaction conveyed through subtle, non-verbal communication.

The film's score, composed by Elmer Bernstein, adds an emotional depth to the narrative, while Edith Head's costume design, also Oscar-nominated, enhances the visual appeal.

The wardrobe choices, particularly Angie's elegant coats and dresses, reflect her character's aspirations and struggles.

Love with the Proper Stranger is a film that resonates with audiences due to its timeless exploration of love, responsibility and societal change.

I like the vibe.

The theme is by Elmer Bernstein, who's worked on literally fucking everything.

He's done work for all the big directors.

He's worked for Scorsese and Coppola, and he's worked on a lot of their films.

How about something like To Kill a Mockingbird? I love that film.

With Elmer Bernstein's score.

Terrific.

Brilliant.

And it's got Yul Brynner, Steve McQueen, Charles Bronson, my guy James Coburn, Robert Vaughn.

It's got an incredible Elmer Bernstein score.

I'm taking the Magnificent Seven.

It's more than that, Paul.