Elliot Goldenthal

If this doesn't just get right down to the bones and just freak you the hell out listening to it at a high volume, you must be dead inside, because this is one of the most unnerving pieces of music, I swear.

Next, we have Fred Myrow with the Phantasm title cue, Elliot Goldenthal with the Pet Sematary title cue, John Murphy with the 28 theme from 28 Days Later, and Toby Hooper and Wayne Bell with the main title, it's not really a theme, I guess, the main title soundscape for Texas Chainsaw Massacre.

And then the last of my musical lists here is actually full albums.

If you were looking for a full album that you can put on that just kind of screams October and Halloween, here you go.

Nothing will be.

Composer, Elliot Goldenthal, who you might know from doing Batman Forever, Batman and Robin, Alien 3, and Heat.

Heat! I threw in Heat for Viv.

I know she likes that Heat.

I guess the last thing to kinda mention as far as production goes is the music.

So this was an early Elliot Goldenthal score.

I've talked about him several times on the show.

I fucking love Elliot Goldenthal, man.

I think his scores for the two Schumacher Batman movies-

Hell yeah

Another film I love.

Original score by Elliot Goldenthal.

Starring, as per the poster Al Pacino, Robert De Niro, Tom Sizemore Diane Venora Amy Bannerman Ashley Judd Right, I always get this wrong Mikel T. Williamson West Doody, Ted Levine, with John Voight and Val Kilmer.

Not on the poster, but worth mentioning are Dennis Haysbert, William Fickner, Natalie Portman, Tom Noonan, Hank Azaria, Danny Trejo, Henry Rowlands, Xander Berkeley, and Bud Cort.

And Alex Wexo played the SWAT leader in an episode of Loveson Clark, New Adventures of Superman.

That is, it all comes back to Superman for that episode.

And obviously, on a slight Superman tangent, Elliot Goldenthal did the score for Batman Forever, in which Val Kilmer says the circus must be halfway to Metropolis by now.

Superman, right? So yeah, that's it.

Also, this has the new music.

This is done by Elliot Goldenthal.

And it's a much more...

the theme from the 1989 Batman is classic.

Grimy scenarios were Fincher's bread and butter with Fight Club looking depressing, and even Seven made LA look like end of days.

The soundtrack in general was scored by Elliot Goldenthal, who also worked on Batman Forever.

This track is actually remarkably similar to the one used in that movie when Batman fights off the Neon Gang.

[punching] [groaning] Ripley is about to be brutally assaulted when Dillon saves the day by taking out the would-be attackers.