electronic press kit

Um, let me look into, cause I know they sent more, um, different things here.

Their EPK center EPK press kits,

uh, their debut EP, uh,

Oh, damn.

Smart link in bio.

EPK builder and artist website, fan email marketing tool, general AI assistant, AI music growth advisor, 24-7 personalized data insights for $9.99 a month.

I didn't understand that.

At least I didn't understand the whole thing.

That's how it works.

I get it.

EPK builder.

Yeah, that's kind of standard.

There's no team here.

So it's literally just I'm going on social media and just kinda reaching out to people, throwing the EPK out there.

You know, no shame in my game.

I'll ask anybody.

Like it, you know, it would be like, "All right, we need a sizzle reel that's gonna live-"

EPK work.

Yes.

EPK work.

Exactly.

[laughs]

Oh my God.

EPK work.

[laughs]

And then a couple years later he started this with Tayla, and we shot, what, an EPK first.

Uh-huh.

Mm-hmm.

Techno Signatures, remastering the picture and sound.

And, uh, some legacy special features, which include a commentary with David Toohey, uh, a new horizons feature at the making of the rival feature at EPK and B roll EPK interviews with cast and crew, another EPK feature at a promo reel and stuff like that.

So very nice release, uh, as part of the Vestron line.

Um, uh, Let's see.

Seven, that's the big one I always remember, but he did do some other great work around that time and is one of the, you know, one of the big heavy hitters of this period in terms of cinematography.

It looks great.

Okay, so legacy features includes audio commentary with Polanski, making of featurette, storyboard selections, gallery of satanic drawings, Polanski and actress Emmanuel Siner, EPK interview, Johnny Depp EPK interview, Dancing with the Devil interview with actress Emmanuel Siner, and a page-turning perfectionism interview with actor James Russo.

That's from 2024 as well.

You

create 30 YouTube shorts or Instagram shorts from that because you have your EPK crew there anyway, or at least that's the thing you have to kind of like add to the budget.

You sort of have to pump up the EPK and the behind the scenes a bit, or at least a secondary video crew.

And you have to figure out a way to integrate it in a way where it doesn't disrupt the flow of your production.

Because the biggest thing, of course, just like, you know, when you do a gallery shoot on your film shoot, like you're doing the gallery shoot and it's like the worst thing, right? But it's like, you know, you have to do it, right? Like you, like, like it's a, you know, every film project I've ever worked on is always like this.