Edward Enninful
Ghanaian-British editorWikipedia
12
MENTIONS
8
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7
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Search complete. 12 mentions across 8 episodes found for "Edward Enninful".
Oct 21, 2026
Jason BoldenGUEST
She took me to my first Emmy.
Jason BoldenGUEST
She introduced me to Edward Enninful.
Hillary KerrHOST
Ugh.
Jason BoldenGUEST
Who he sat across from me and he said, "Who do you want- And I will call them.
Fiona HayesGUEST
They were all wearing black.
Fiona HayesGUEST
it was supposed to be a celebration edward is black editor ralph is a black photographer the models are all black african they were wearing black and it ended up having massive backlash because for various reasons but the main reason was that the image didn't work on the magazine cover because of the printing i think it didn't give the impression you see it on the wall and you see a totally different quality to the work So it goes back to what my niece is saying.
Fiona HayesGUEST
What's the point of a photography exhibition? What's the point of photography in different platforms? I think it's interesting to consider that in 2026, we have different platforms and photography is different in different states.
Fiona HayesGUEST
You can't have a single platform.
Rebecca KesbyHOST
The Tate Britain art museum here in London has just opened an exhibition to examine Cool Britannia, as it was dubbed.
Rebecca KesbyHOST
It's been curated by Edward Enninful, the former editor-in-chief of British Vogue, and the BBC's Eve Webster has been along to see it.
Vinka PetersenSOUNDBITE_SPEAKER
So let's walk, walk into the '90s.
Eve WebsterCORRESPONDENT
From the Tate Britain's latest exhibition, it's clear that London in the '90s was a time for working hard and partying even harder.
Edward EnninfulSOUNDBITE_SPEAKER
It was not commercialized in any way.
Edward EnninfulSOUNDBITE_SPEAKER
We went to all the bars here, talking about creativity till the sun came up, and then you had to go to work.
Eve WebsterCORRESPONDENT
I met the exhibition's curator, Edward Enninful, in Soho, Central London.
Eve WebsterCORRESPONDENT
He was at the center of the '90s London fashion scene.
Edward EnninfulSOUNDBITE_SPEAKER
We went to all the bars here talking about creativity till the sun came up, and then you had to go to work.
Eve WebsterCORRESPONDENT
I met the exhibition's curator, Edward Enninful, in Soho, Central London.
Eve WebsterCORRESPONDENT
He was at the center of the '90s London fashion scene.
Eve WebsterCORRESPONDENT
He was fashion director of i-D Magazine at 18 years old.
Tom SutcliffeHOST
"The weirdos were taking over," is how Cocker himself puts it in the catalog to Tate Britain's show.
Tom SutcliffeHOST
The '90s is curated by Edward Enninful, who joined i-D magazine as a fashion director when he was still in his teens, and then went on to become editor-in-chief at British Vogue, and it leans heavily towards his experience of the decade.
Tom SutcliffeHOST
A magazine editor's-eye view of a period of grungy reinvention, strong on models and photographers and iconoclastic designers.
Tom SutcliffeHOST
The show is actually sponsored by McQueen, the fashion house founded by Alexander McQueen.
Tom SutcliffeHOST
But that, but that's a-
Zoe WilliamsGUEST
Which it was not
Tom SutcliffeHOST
... that's a corrective in, isn't it, Lawrence? Edward Enninful has come in and said, has said, "Right, okay.
Tom SutcliffeHOST
I want to pull back the, the, the boy YBAs-"
Richard SmithHOST
Money sometimes can take you in directions that perhaps you never thought you, you saw yourself going, and it's hard to bring yourself back to that point where- You know, I got into this because it was different.
Terry JonesGUEST
The last commercial magazine I, I got involved in was in 2016, which is about 10 years ago, when Edward Enninful was the fashion director at W Magazine, and they asked if I would get involved to, uh, create a direction on an issue, and they would give me complete freedom.
Terry JonesGUEST
Conceptually, I wanted to make a magazine where the power had gone down, and so that everything went back to being handmade.
Terry JonesGUEST
I always had to have people who were really skillful at doing all the technical stuff that I just didn't have the patience or the skills or the brain to get my head around it.
6 MINS LATER
Terry JonesGUEST
There, there's, um, there's so much access to what is, uh, there.
Terry JonesGUEST
It's a difficult topic.
Terry JonesGUEST
You know, Edward Enninful's threaded it really well.
Terry JonesGUEST
The idea was always, you know, fashion was the excuse for what we did.
Rickie De SoleGUEST
I was still really young, and so when this opportunity came up, you sort of sit back and you think, "Am I gonna regret it? Or would it behoove me to go somewhere else, learn some new things, and then I can come back?" The opportunity came up because Stefano Tonchi, a fellow Italian, was the editor-in-chief of W Magazine, and his fashion market and accessories director, Carla Martinez, was leaving to move to Mexico.
Rickie De SoleGUEST
And Carla is a dear friend, you know, I choked forever, and he called and said, "Would you consider taking this role?" Edward Enninful was the creative director at W at the time, and that is the greatest dream team of all time.
Rickie De SoleGUEST
You've got Stefano Tonchi, you've got Edward Enninful, Armand Lemonander doing all of our features, and you know, it was a much smaller title, but it expanded my role.
Rickie De SoleGUEST
So in accessories, it's interesting, you know, accessories from a business point of view really drive a lot of business for all these brands.
Rickie De SoleGUEST
But when it comes to magazines, a lot of the image-making begins with ready-to-wear, with apparel.
Chelsea FairlessHOST
Most recently, she was the entertainment director at large for British Vogue.
Chelsea FairlessHOST
She did that insane group cover that had, like, 50 people on it when Edward Enninful left.
Chelsea FairlessHOST
And now she has a podcast called Going Rogue, and when I Googled her, she actually doesn't look like you in her day-to-day life, but in this show with, like, the hair, the makeup, the outfit, it very much was giving you, and I think this is a very encouraging glimpse into the future.
Lauren GarroniHOST
[laughs] Just imagine, this woman looks like, and I do take this as a compliment, she looks like Winona Ryder.