Eddie Money

So the concert was sort of a lost leader in a lot of ways.

Like I went to go see, you ever heard of Eddie Money? Okay, it was either $5 or $10.

I spent it to go see Eddie Money.

You ever heard of the Monkees? I've heard of a monkey.

I don't know if I've ever been there.

I've got extra paycheck on this type of thing when there is certainly no such thing.

I think that's certainly more of a generational type deal.

I would tell you that while I spent the $35 to go see Jimmy Buffett and while I'd spend $5, $10 to go see The Monkees or Eddie Money or some of these other groups that you remember, with which you're not familiar, to use the English correctly.

Great song.

The backup vocalist on that is none other than one Eddie Money.

It's like, what are you talking about? And then soon as you realize it, you go, you can't unhear it.

And then you can go down the rabbit hole of songs that have mistakes that they kept in the song that once you've heard a million times, you think it's just, it's naturally part of the song.

We've had people die the day before.

Eddie Money died like two days before we were ready to go on stage and we pulled the Eddie Money off.

But that's because Marty already knew it.

But Saturday we're going to have us a party over there at Desert Ridge, Copper Blues Desert Ridge.

At the same time I get the job for Pat Benatar, that night I get a call from a friend of mine who was a roadie also at the Agora with me, which was one of the four that did all these famous rock shows at the Agora.

He's now working for Eddie Money in San Francisco.

He calls and asks, do I want the job with Eddie Money? I quit Pat Benatar the same day I get the job at Pat Benatar, because my mom lived in San Francisco and Eddie Money's based out of San Francisco.

Wow.

I went to San Francisco and worked for Eddie Money in the beat.

Paul Conley

in the beat.

so it was written by a couple of guys from england take me home tonight but in this song it had two choruses tonight i don't want

that the second week in a row we've had an eddie money clip That

is correct.

Second week in a row for Eddie Money, who, before he pursued music, was a New York City police officer, a street cop in New York City.

If you only played Eddie Money clips every Wednesday, I would be killing Chelsea.

And Lou Ferrigno.

And Lou Ferrigno.

I don't think I've mentioned it yet, but there's a British connection, as there usually is with our podcasts.

The song was written by Michael Leeson and Peter Vale, who were based in Britain, and would also write hits for Sheena Easton, Eddie Money, and Misha Paris.

After an Aretha Franklin, Muscle Shoals-style bridge, the song stays on the stadium-sized chorus to the end.

So despite that feel-good vibe, it's an unexpectedly murky love song.