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Search complete. 16 mentions across 6 episodes found for "EBow".

Sep 25, 2026

Randy AllainHOST
42:49
I l- I love that you said everything felt a little bit too elongated for you in the lyrics here.
Randy AllainHOST
42:54
I, I did not realize this until I was researching for this episode, but like one of the many tools they're using on this song is the, the Ebow electronic device to like...
Randy AllainHOST
43:05
And, and Justin, please feel free to correct me if I butcher this explanation of what it does.
Randy AllainHOST
43:09
Uh, but it's this electronic device that, that's like using like magnetism to like vibrate strings and kinda hold super lengthy notes without having to pluck the guitar string.
Randy AllainHOST
43:28
Uh, I- again, I was today years old when I learned that this is, uh, the second most famous tool, uh, in the song Don't Fear the Reaper from Blue Oyster Cult behind the infamous-
Chris IngersollHOST
43:39
Okay, yeah
Randy AllainHOST
43:39
... cowbell is the use of the, the Ebow, uh, on the guitar.
Randy AllainHOST
43:43
Justin, any thoughts on Unforgiven?
Jake ThistleGUEST
6:49
And it, it, that's a, that's another, the, one of the producers, Billy Leffler, that was his creation of, of sort of, of wanting to try that.
Jake ThistleGUEST
6:56
Another thing that's used a lot on this record is an Ebow, which I learned through Mike Campbell, uh, 'cause he played it a lot on like the, uh, you h- it's on Room at the Top and things-
Kevin BrownHOST
7:07
Yeah
Jake ThistleGUEST
7:07
... like that.
Simon HildrethGUEST
47:49
Um, the bit...
Simon HildrethGUEST
47:50
The highlight for this song for me is that Ebow solo that comes in, uh, at 2:40.
Simon HildrethGUEST
47:55
It's just beautiful.
Simon HildrethGUEST
47:57
Um, and if people aren't aware what an Ebow is, it's, uh...
Simon HildrethGUEST
48:01
it makes your strings vibrate without plucking them, so you get this kind of fade in, and you can slide the note up and down, so you get the kind of feedback sound.
Simon HildrethGUEST
48:09
Uh, and it just sounds absolutely beautiful.
Simon HildrethGUEST
48:14
It's just gorgeous.
Simon HildrethGUEST
48:15
And, uh, I, I was getting little vibes of Happiness in the Road in places with some of Rothery's solos.
Tim MinniciHOST
21:43
Yeah.
Tim MinniciHOST
21:43
If you don't want to be like Jimmy Page and break a bow out, you'd use an E-bow.
Jason ZiakHOST
21:48
Which kind of sounds awful.
Jason ZiakHOST
21:49
I mean, that's a bit, it's a pretty shrieky, awful sound.
Sean O'BrienHOST
8:32
I think just give me something with a do, you know, banging away at the, like a drum kit-ish thing.
Tim ConvyHOST
8:37
I'm gonna give you an Ebow.
Sean O'BrienHOST
8:38
Oh, yeah, an Ebow.
Randy CashUNKNOWN
8:40
[laughs]
Sean O'BrienHOST
8:41
That's another fun thing I asked him one day, "What is, what is an Ebow?"
Tim ConvyHOST
8:44
Sean is obsessed-
Sean O'BrienHOST
8:45
Forget reel
Tim ConvyHOST
8:45
... with the idea of an Ebow.

Unknown podcast

Live Jazz Meets Hip‑Hop: Inside ‘To Pimp a Butterfly’ Production Secrets

Sep 7 · 1 Mention

TonyHOST
3:30
The use of a Hammond organ in The Blacker the Berry provides soulful texture while still serving the rhythm section.
TonyHOST
3:37
The producer used an Ebow technique on the electric piano to emulate the sustain of a bowed string, then applied gentle chorus and tape saturation for depth.
TonyHOST
3:46
When mixing, they bounced the keyboard tracks onto one mono bus, letting EQ carve out space for the vocals in the upper mids.
TonyHOST
3:54
This approach shows that keyboards can act both as harmonic glue and a source of unique sonic color.

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