Dimitri from Paris

But, um, and again, just I, I really, I, I really love that Pain's theme in particular, just, um, uh, very rem- reminiscent of, um, like not quite acid jazz, but that sort of like that, um, what would you call it? Not, um...

There, there's a term for the, um, the sort of like the Dimitri From Paris kind of like jazzy house kind of stuff.

Um, uh, the Rouge's theme from, uh, Sonic Adventure 2 is possibly the one that I would think of as far as-

Oh gosh

You could call it like a minor logical fallacy.

It's not one of the main ones you learn about, but it's essentially what Erasmus was just saying.

He's like, well, we know that they've been lying to us, so I'm just gonna accept that this thing that I'm being told about how they're lying to us must also be true.

The Mott and Bailey fallacy, it comes from the idea of like a castle defense where you'd have the courtyard or the Bailey of the castle has all this valuable shit, like the blacksmith and maybe a farm and things like that.