Skip to main content
Diego Velázquez

Diego Velázquez

Spanish painterWikipedia

Search complete. 27 mentions across 11 episodes found for "Diego Velázquez".

Sep 25, 2026

Todd UlbrichNARRATOR
348:44
Still, they occasionally are wrong.
Todd UlbrichNARRATOR
348:48
But the Venetians and Velázquez never.
Todd UlbrichNARRATOR
348:52
At least after his style was formed, early pictures like the Adoration of the Magi in our gallery are of little value.
Todd UlbrichNARRATOR
349:01
I ought perhaps to have added in that Manchester address, only one does not like to say things that shock people, some words of warning against painters likely to mislead the student.
speaker_3NARRATOR
67:07
His face was large and fleshy.
speaker_3NARRATOR
67:10
He had thrown himself into the arrogant attitude of Velazquez's portrait of Del Borro in the Museum of Berlin, and his countenance bore of set purpose the same contemptuous smile.
speaker_3NARRATOR
67:22
He advanced and shook hands with Dr. Porrett.
speaker_3NARRATOR
67:25
"Hail, brother wizard, I greet in you, if not a master, at least a student not unworthy my esteem." Susy was convulsed with laughter at his pompousness, and he turned to her with the utmost gravity.
Simon WhistlerHOST
28:58
Picasso had entered a period of frenzied activity, dedicated to revisiting and recreating works by early masters that he admired.
Simon WhistlerHOST
29:04
Starting in 1957, he produced 58 works, in which he reinterpreted Las Meninas, a 17th century masterpiece by Diego de Velázquez.
Simon WhistlerHOST
29:13
From 1959 to 1961, he applied the same approach to Luncheon on the Grass by Manet.
Simon WhistlerHOST
29:17
The series, inspired by the Impressionists, consists of 140 drawings, 27 paintings, and four linoleum cuts.
speaker_0HOST
5:47
we see focus from way back, demonstrated for the first time in the history of art.
speaker_0HOST
5:54
Diego Velazquez, a hundred years later, is the embodiment of this painting.
speaker_0HOST
6:01
And he would copy this technique.
speaker_0HOST
6:04
Titian was really the founding father and pioneer of this method that would later be called sight-size and would become the pivotal method of portrait painting that would lead to Van Dyck and to the British school of the 18th century and then to the finest portrait painter of the 19th century, John Singer Sargent.
speaker_1NARRATOR
43:38
For instance, Raphael's Portrait of a Young Man and Leonardo da Vinci's Lady with an Ermine were stolen by the governor of occupied Poland, Hans Frank, and kept in his private residences during the war.
speaker_1NARRATOR
43:54
The head of the Luftwaffe and Hitler's designated successor for most of the war, Hermann Göring, stole numerous paintings by Vincent van Gogh and Diego Velázquez, amongst many others, for his private collection.
speaker_1NARRATOR
44:10
countless other paintings had mysterious journeys in germany during the war before being found in the nineteen forties nineteen fifties or even in more recent times it is estimated that six hundred and fifty thousand artworks and cultural objects some obviously more valuable and culturally revered than others, were stolen as part of the Nazi plundering of the continent between 1933 and 1945.
speaker_1NARRATOR
44:42
Hoffmann was one of the more prominent individuals involved in assembling his own private art collection out of looted Nazi paintings.
Dan GelernterHOST
57:16
It's not something that people think of justifiably.
Dan GelernterHOST
57:19
The French collection here is weak as well, but for the Spanish and the Dutch, who were superior painters, we have Rembrandt, Velázquez, Vermeer, Velázquez representing the Spanish court painters, and by far the greatest...
Dan GelernterHOST
57:33
And Velázquez is one of the greatest painters in history.
Dan GelernterHOST
57:36
As far as his handling of paint and his ability to represent not just what people look like, but their actual character, he's at the tip top.
Dan GelernterHOST
57:43
And we've recorded a short video about why I think Juan de Pareja, his portrait of one of his servants, actually, who was also a painter, which is in the Met, which was the first thing the Met bought for over a million dollars, why that, I think, is the greatest painting in the hemisphere.
Dan GelernterHOST
61:57
It's also fascinating because it's an unfinished painting.
Dan GelernterHOST
62:00
The face is relatively finished, but the The shoulders, the chest of the sitter are really unfinished.
Dan GelernterHOST
62:05
The background is very lightly done, as most of Velázquez was.
Mark PentletonHOST
4:53
Now, this is tricky because this is referring to two specific paintings or two collections of paintings.
Mark PentletonHOST
4:59
First of all, Las Meninas by Velázquez.
Mark PentletonHOST
5:02
Um, and these are the, the ladies in waiting, the maids in waiting.
Mark PentletonHOST
5:06
And the dark visions that are, uh, talked about in this clue are the works of Goya, the dark, uh, somber paintings of, of Goya.
MarkHOST
4:53
Now, this is tricky because this is referring to two specific paintings or two collections of paintings.
MarkHOST
4:59
First of all, Las Meninas by Velázquez, um, and these are the, the ladies in waiting, the maids in waiting.
MarkHOST
5:06
And the dark visions that are, uh, talked about in this clue are the works of Goya, the dark, uh, somber paintings of, of Goya.
MarkHOST
5:15
Um, and those ones he painted apparently onto the walls of his house.
Demi-Michelle SchwartzHOST
23:18
So if you could step into any painting and live in its world for a time, which painting would it be?
C.J. DentonGUEST
23:26
So there's a painting by Velázquez which is called Las Meninas.
C.J. DentonGUEST
23:35
And what I love about that painting is that it's a painting which is about looking and not quite knowing what you're looking at.
C.J. DentonGUEST
23:45
So It's really surreal in that there are loads of characters.
Piotr NaterNARRATOR
70:45
Francisco Surbarán, 1592 to 1662, the first to give them full expression.
Piotr NaterNARRATOR
70:52
From the same school came Diego Velázquez de Silva, 1599 to 1660, a Sevillian, though his exact study of the Netherlanders and his long sojourn in Italy enabled him to break the bonds in which his fellow artists lay and gave him a wider range.
Piotr NaterNARRATOR
71:10
The silvery, airy coloring peculiar to him diffuses a charm of sentiment over his pictures.
Piotr NaterNARRATOR
71:17
Landscapes, genre pieces, as well as religious subjects occupied his brush, till his career was ultimately determined by Philip IV appointing him his court painter.
Piotr NaterNARRATOR
71:28
After this, he devoted himself to painting the portraits of persons of eminence, and this work, in his hands, acquired a more dignified, imposing, and noble character than in those of the Netherlanders.
Piotr NaterNARRATOR
71:42
In coloring, Velázquez combined the excellencies of the Venetian and Netherlands schools.
Piotr NaterNARRATOR
71:48
He and Murillo, who was born two decades later, constitute the most brilliant double star in the artistic firmament of Spain.
Piotr NaterNARRATOR
71:57
Sculpture, too, was transplanted to Spain by the admirable Berruguete in the first half of the 16th century and found there, especially in the south, a race of zealous devotees, reaching down to the present day.

1 more episode mentions Diego Velázquez.

Create an account to see the whole feed, search across every transcript, and follow the entities you care about.

We value your privacy

We use cookies to understand how you use our platform and to improve your experience. Click “Accept All” to consent, or “Decline non-essential” to opt out of non-essential cookies. Read our Privacy Policy.