But, yeah, my next question is, so we did kind of talk about this earlier, but what does your writing and planning process look like for your shows, both on, like, an individual episode level and then for the show as a whole?

Yeah, so...

This is going to be kind of a roundabout answer, but it gives a lot of insight as to how my brain kind of works.

If you've ever read the books by Shijin Liu, The Three Body Problems, you have to read the books, not the TV show, because one of the characters in the second book, he's part of a program called the Wall Spaceship Program.

He can't tell anybody what he's doing.

He just does the thing, right? And this character, Luo Ji, he spends like...

an entire year just going out and living and experiencing and he's going to the movies and he's going on dates and all these different little things and eventually he comes to you know the problem solving table and he's like here's the solution and he figured this out by doing other things experiencing life that's kind of how i go about all of my creative things is it's not Two characters walk into my head one day and I just go, that's it.

I would love to know more about what drew you to the story and our genre specifically of Eldritch Western, because it's a little bit niche and your creative inspiration for that.