Deborah Warner

... and being, you know.

Reminds me of Deborah Warner.

Deborah Warner, who I did a production of Medea with years ago.

Oh yeah, I saw you.

Great.

Particularly the grief scene, the, the, the wonderful scene of grief when he discovers his daughter's been raped and has had her hands cut off, and that scene is just an am- one of the most amazing scenes in Shakespeare.

You know, it was just an incredible thing to do, and then working with the great Deborah Warner, who just took it at an angle.

She just, she turned the picture sideways, so you saw it in a very different way, and the whole production became li- And it was a very organic production.

I remember when we, when we came into the room and there was a couple of ladders, of st- st- steel stepladders leaning against the wall.

Yeah.

And then from that, I had to, uh, work, start working with Fiona Shaw, with, uh, w- with Deborah Warner, um, as director.

And so I did another version, which is the one, which is not, you know, f- for the stage, with, w- it was pretty much the same with short and with, yeah, but it was close.

And, um, I mean, today I signed a contract f- for a production of it in the Azores, in case anyone's going to the Azores soon.