Debbie Harry

Spielbergo.

But Shaneberg, you might know him from his eight other credits, including The Prom, the Deborah Harry music video Strike Me Pink, Hit Me, This, and Fur, Colin, and Imaginary Portrait of Diane Arbus.

And, of course, Rupture, starring Noomi Rapace.

She's abducted by a mysterious organization.

You know, she was just, yeah, fantastic.

And obviously then Debbie Harry at the time.

I did love that.

Well, all of that.

that's it.

Also, special shout out to Debbie Harry who plays the very horny nurse.

Yes, yes.

Did you recognize the guy walking the

Kiki and Herb earned a cult following for Kiki's unfiltered commentary, which channeled the mid-1990s AIDS crisis nihilism experienced by gay men who felt abandoned by the government.

Soon she attracted the attention of luminaries like actor John Cameron Mitchell and the singers Debbie Harry and Rufus Wainwright.

Wainwright introduced Bond to the designer Jonathan Anderson, the current creative director of Dior, who now considers Bond his muse.

She performed at his first student fashion show in London College of Fashion in the early 2000s.

Kiki and Herb earned a cult following for Kiki's unfiltered commentary, which channeled the mid-1990s AIDS crisis nihilism experienced by gay men who felt abandoned by the government.

Soon she attracted the attention of luminaries like actor John Cameron Mitchell and the singers Debbie Harry and Rufus Wainwright.

Wainwright introduced Bond to the designer Jonathan Anderson, the current creative director of Dior, who now considers Bond his muse.

She performed at his first student fashion show in London College of Fashion in the early 2000s.

Four decades later, the huge success of the sexy thriller American Gigolo, in which Richard Gere played a high-class sex worker, left film studios desperate for similarly edgy fare, and a remake of Cat People looked like the perfect project.

Giorgio Moroder had done the soundtrack for American Gigolo with Debbie Harry of Blondie, singing the title song Call Me.

Moroder got the call to create the soundtrack for Cat People too, but who to sing it? Moroder told Dylan Jones for his biography of David Bowie, I was talking to the director Paul Schrader and I said, who shall we take for the single? Who represents that weirdness of the movie? And we immediately said David Bowie.

So I wrote the song and I sent it to him.

It's just this impressionistic song.

It's not, Debbie Harry isn't telling me about, directly about her feelings or about, you know, some adversity or anything.

It's got this jubilant vibe about it.

So quite a lot of my work though, you do want it to be, first off, you want it to resonate with your audience.