Dean Semler

I mean, the guy who worked on Blade Runner and Demolition Man.

The cinematographer is Dean Semler.

He shot Dance with Wolves, Mad Max, Young Gun.

So it's, you know, they shot m-

Yeah.

I mean, he's part of that, you know, that, that wave of, you know, Don McAlpine, Dean Semler, Russell Boyd, Peter James, you know, just extraordinary cameramen that were part of that wave that really busted into Hollywood in the '80s and, uh, then established themselves from that point on and- It, it is, it is- I always still think to this day, mate, that, um, whenever you're in a bind, I go, "What would I do if I was in Australia?" And it serves me pretty well because it, it, it keeps you grounded in the sense of, yes, there's, there's a, you know, particularly being in North America, there's a tool, uh, that is probably available or, or, uh, that has been designed to do something in particular.

But, you know, for whatever reason, location-based or, or, or financially you might not be able to have that tool, what would you do to recreate that? And-

Right

Ooh.

From what? So we have Dean Semler, who was the cinematographer on Waterworld, Super Mario Brothers, The Cowboy Way.

Yeah.

And also cinematographer on another episode coming soon that I mentioned last week, Razorback.