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Dean Devlin

Dean Devlin

American screenwriter and directorWikipedia

Search complete. 47 mentions across 27 episodes found for "Dean Devlin".

Oct 27, 2026

Paul DayHOST
2:17
that'd be terrific.
Paul DayHOST
2:18
so there's quite a few disaster movies for all I know but that tends to be his niche and he produces a guy called Dean Devlin and he does lots of various stuff as well so quite a lot of sci-fi he
Darren HorneHOST
2:30
likes the explosions oh Godzilla
Marc FarquharHOST
2:33
Yeah, I

22 MINS LATER

Darren HorneHOST
24:36
think that's probably a growing movement now.
Paul DayHOST
24:38
Yeah, I thought you'd enjoy that one.
Paul DayHOST
24:41
When Dean Devlin and Roland Emmerich first pitched the film's idea around different studios, they purposely did not send their treatment to MGM, who had distributed their previous film Stargate, which was 94, but had since obtained franchise rights and kept them out of a proposed TV series adaptation.
Paul DayHOST
25:02
Their concept was described as War of the Worlds meets Pulp Fiction.
Daven HiskeyHOST
27:16
Moving on from there, a rather surprising film that initially was going to get military support but the Department of Defense ultimately pulled out of was the 1996 blockbuster Independence Day.
Daven HiskeyHOST
27:24
As to why, writer Dean Devlin states, their one demand was that we remove Area 51 from the film, and we didn't want to do that.
Daven HiskeyHOST
27:31
so they withdrew their support in a slightly more humorous example according to david rob's 2004 book operation hollywood in the james bond film goldeneye the department of defense demanded the nationality of admiral chuck farrell be changed from a u.s admiral to a different nation owing to perceived incompetence the studio acquiesced and made him french the problem was the studio was also getting help from the french military GoldenEye screenwriter Bruce Fairstein stated of this, When the French lent us the boat, they wanted to make sure that the French military was in no way made to look bad.
Daven HiskeyHOST
27:59
When they lend you the toys, they want some say in how the toys are used.
Rob JohnsonGUEST
16:58
But basically, it's Independence Day, but also Godzilla, the 1998 version by...
Rob JohnsonGUEST
17:08
Really? Roland Emmerich and Dean Devlin.
Rob JohnsonGUEST
17:11
Yeah, because I love them.
Rob JohnsonGUEST
17:12
I love these movies.
Matt BourneHOST
27:30
That was the original thing.
Matt BourneHOST
27:32
Then Emmerich and Dean Devlin and Andrew Davis got hold of it and changed it, basically.
Matt BourneHOST
27:37
And then... it's noted that basically Emmerich was rewriting it as they were making it.
Matt BourneHOST
27:44
So it literally was being written as they went.
JordanHOST
33:56
director of Geostorm is, right? No.
JordanHOST
33:59
Is Dean Devlin the director of Stargate? independence
Erik NagelHOST
34:03
day um the original stargate movie the original stargate the one who hated fucking sg1 and atlantis and all of that yeah
JordanHOST
34:11
godzilla like he he's done a bunch of that stuff but yeah i'm a sucker for the gerard butler like disaster movies i watch every white house down whatever i
JordanHOST
33:56
director of Geostorm is, right? No.
JordanHOST
33:59
Is Dean Devlin the director of Stargate? Independence Day.
JordanHOST
34:05
The original Stargate movie.
JordanHOST
34:06
The original Stargate.
John JusticeHOST
52:14
On the special effects and all this, neither here nor there.
John JusticeHOST
52:16
But there was an interview with the guy who directed one of the directors, Dean Devlin, of Independence Day.
John JusticeHOST
52:24
And they were talking about movies in 1982, what a great year that was for movies.
John JusticeHOST
52:30
And so this is a long-winded way to try to give you an analogy.
Sean David MortonGUEST
20:40
And, you know, we turned it into this gigantic cultural phenomenon.
Sean David MortonGUEST
20:43
And I took Dean Devlin out there.
Sean David MortonGUEST
20:45
you know, who later made the movie Independence Day, all about Area 51.
Sean David MortonGUEST
20:49
I mean, his one question was, so if aliens were to attack the Earth, wouldn't Area 51 be our, like, first line of defense? Wouldn't we have saucers there that we could fly and, like, fight the aliens? And I'm like, yeah, Dean, yeah, that's exactly what we do.
Jonathan GlassnerGUEST
6:00
We can't do that.
Jonathan GlassnerGUEST
6:02
And he didn't tell me why, but I later found out it was because Dean Devlin and Roland Emmerich were trying to do more movies.
Jonathan GlassnerGUEST
6:11
And so the corporate powers that be at MGM were saying, no, we can't make a TV show.
Jonathan GlassnerGUEST
6:16
It's a movie.
Jonathan GlassnerGUEST
10:37
And never watched it again.
Jonathan GlassnerGUEST
10:41
So cut to 25, 30 years later, I had written a spec pilot script, and my agents had sent it all over town, and Dean read it, and he loved it.
Jonathan GlassnerGUEST
10:57
So I get a call from my agents, and they said, Dean Devlin wants to meet with you.
Jonathan GlassnerGUEST
11:01
And I said, he's punking me.
David ReadHOST
58:26
And Patrick Jatopoulos and All of those people did themselves proud in designing the thing.
David ReadHOST
58:33
And Dean Devlin and Roland Emmerich, there's a reason that they decided on a trilogy, which is because they saw the potential there.
David ReadHOST
58:42
And had they probably known that they couldn't get a trilogy out of it, they may have added a whole lot more to that first film than we saw.
David ReadHOST
58:50
It's a beautiful movie.

17 more episodes mention Dean Devlin.

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