Kelsi and Dawn, have you found that as well, like recreating your own work or touring pieces and, like, moving from house to house?

Oh, I've done both.

Um, when I was resident lighting designer for New York City Opera, we would revive operas that, uh, we did, uh, Street Scene, which was 19 years since it had, it was, since it had been done.

The entire creative team was now deceased.

The gels had switched over from Cinemoid to Roscolux.

Uh, and the fixtures had gone from Kliegl 1355s to Source Fours, all the things that Christina is very familiar with.

And the number of circuits had almost doubled at the State Theater, now the Koch Theater.

[laughs] Uh, Dawn.