How did that happen 37 years later?

You know, I mean, I was I worked with with Ken Billington when I got out, and that was a sort of a path to meeting producers and becoming what I guess I without being an egomaniac, I could say was sort of a, you know, a really good reputation as an associate producer.

Um, and, you know, worked with, you know, Chris Parry.

We, we did Tommy together.

God must've been every company after Broadway, you know, which was, uh, you know, one of Tony and a Dora in Canada and an Olivier.

So, you know, things like that.

Uh, but it was one of those things where I knew the producers and I didn't grow up when I got out of college in the off Broadway market, you know, so as the directors were growing and becoming people that got Broadway shows, uh, I was off doing corporate theater and dance.

We have to cut this back a little bit or, you know, we'll never get it done.

How did that happen 37 years later?

You know, I mean, I was I worked with with Ken Billington when I got out, and that was a sort of a path to meeting producers and becoming what I guess I without being an egomaniac, I could say was sort of a, you know, a really good reputation as an associate producer.

Um, and, you know, worked with, you know, Chris Parry.

We, we did Tommy together.

God must've been every company after Broadway, you know, which was, uh, you know, one of Tony and a Dora in Canada and an Olivier.

So, you know, things like that.

Uh, but it was one of those things where I knew the producers and I didn't grow up when I got out of college in the off Broadway market, you know, so as the directors were growing and becoming people that got Broadway shows, uh, I was off doing corporate theater and dance.

We have to cut this back a little bit or, you know, we'll never get it done.