And really get into it

... no, wait.

Hold on.

I'll try and remember the dagger speech.

"Is this a dagger I see before me? The handle toward my hand.

Come, let me clutch thee.

I have thee not, and yet I see thee still.

... what it's about?

I mean, how does that happen?

It was the local, uh, dance teacher, Caroline Hurst, who, who...

You know, I went there, and I, and I sort of won a few competitions, and then, like, Caroline had been to Sylvia Young's as a kid, and she was like, "Look, you've got a real talent for this and a real kind of enthusiasm.

Have you ever thought..." She said to my mum, "Has he ever thought about maybe going to stage school?" And then, like, I auditioned, like, the second year of senior school.

I got in, and I was just too scared to t- make that leap.

It was too much of a...

I did- I couldn't leave that sort of safety net of Essex.

Yeah, he was actual-