Daniel Kleinman

The credit sequence and the theme tune.

So we've got the Daniel Kleinman credit sequence here.

And we've got the You Know My Name theme by Chris Cornell and David Arnold.

Obviously, he scores the movie overall as well.

But it feels like there's a little bit less of an emphasis on the women, you know, in the traditional sort of silhouetted women and a bit more on Daniel Craig's Bond, particularly in how this looks and the motifs and the art deco style of the cards and the emphasis, particularly on the, you know, reflecting the core card game at the heart of this film.

What do you what do you think

of this? Well, I'm a big fan of Daniel Kleinman's opening title sequences anyway.

I love how he modernized what Morris Bender does, as you say, without doing the sort of lascivious, what Alan Partridge would call the completely Billy Bollocks women going around.

And I realise that I think Warren made this point, and John might have made it, that lyrically it's trying to bridge the gap of five years or whatever.

But again, I'm not really... not really bothered about like i just want a bond song that's either exciting or that's really you know memorable and then the title sequence yeah it tried to you know because i do like daniel kleinman's title sequences generally speaking and you know there's the odd misstep here and there but i don't think I think it's possibly his weakest, the one where there's least identity, you know, because he's tried to have the dots.

He's tried to have the majesties like, you know, the sort of Imperial Britain, British Empire.

I just don't think it's, I don't think it's that great.