Dan the Automator

throwing why why was amazing we saw in the all-star game like who's the best for the all-star game well why like i don't know it's all sorry so it's like it was like whatever but like we were there you and i were there we all watched that happen in that game where he had 31 points in 10 minutes it was ridiculous he literally took turns cooking every single player on the other team it was like oh pascal come get this cat come get this you know i mean like whoever else was on that team that international wemby come get this like It was crazy.

Danny, come on, man.

It's time to feast.

We at Danny's.

Shay also talked about people criticizing his playing style, foul baiting, all of that stuff.

And he said, quote, playing this game has done amazing things for me and my family.

It is a self-titled al- album.

This is a hippity hop trio super group with Dan the Automator, Del the Funky Homosapien, which I actually have heard before this, and, uh, DJ Kid Koala.

Deltron 3030-

Mm-hmm

All three of them contributed to the original, the first Gorillaz album.

Dan was the producer of the first Gorillaz album.

Dan has always kind of played around with movie soundtracks,

which he

does in the Gorillaz album.

Mm-hmm, you know and he's ice cubes cousin, which is a fun fact I think he wrote for the gorillas in the mist if I remember correctly,

I believe so.

Yeah, and Dan automator like I said in Kikwala Had done a bunch of Adult Swim stuff.

I would tell people and they'd be like, yeah, okay, Pat.

Well, 20 years ago, I met Daniel Nakamura and his specialty is action photography.

And one thing led to another.

We got approval from where I taught at the school to take photos.

See?

Lovage was such a good album, the Dan the Automator and, uh, and Mike Patton album.

Yeah, it's right on the, it's right on the late '90s, early 2000s divide.

Yeah.

So there you go

...

the album that Dan the Automator produced.

Um, we've strayed-

So they called it like a DJ cut.

But then further towards like the late 80s, early 90s, you had producers like Mark the 45 King, you know, Dan the Automator, Dan Nakamura, who would make these fully formed compositions that were, you know, sample from break beats, sampling strings or guitars or whatever.

But the intention wasn't for somebody to rap over it.

The intention was for it to be listened to.