Dan Curry

I would storyboard.

I'd shot list first, try to think of all the pieces, and then storyboard with Dan Curry would often be the one drawing the frames.

We'd storyboard out these sequences.

And then you sort of identify, well, we could probably stay in that close-up of him sliding for two seconds, and then the other close-up for two seconds.

The episode was shot on film, just like all the Star Trek before it, but keep those technical details in mind because they will become important as we get further into Enterprise's production history.

Now, familiar names like John Eves, Jim Martin, Mike and Denise Okuda, Doug Drexler, Dan Curry, Herman Zimmerman, and so many others who brought previous Trek to life are all credited on Enterprise 2.

Now, I mentioned locations a moment ago.

If you get any at all on Star Trek, you usually don't get more than one.

You've got who else?

Dan Curry.

Dan Curry, and you've got everybody else putting their two cents in, and to create an episode, and this one in particular has such a, you know, the wisps are such a... well, they're the main character in the episode, the main guest star.

Um, uh, h- how, when you edit the show, like when you do your...

Do you do your director's cut, and then they do theirs, or how does this work for you?

Was recorded.

In fact, the practical effects, title design, Dan Curry.

Thank you for the grammar.

Hold on.

I did, I do wanna mention this, uh, opening shot of the industrial planet, Farius Prime.

Classic Dan Curry wide establishing shot, and we see them a few times in this episode.

But it's a combination of techniques.

Some of it's painted.

It's hand-painted art that Dan Curry has done.

Uh, some of it is moving, you know, elements.

But he combines different stuff into the...

He even had, like, a little person moving in the window of one of the buildings.