Creon

right.

Antigone and, what's the, Antigone and Creon.

Yeah, Antigone.

Antigone, what did I say, Antigone? Antigone.

Yeah.

Antigone.

So Antigone and Creon.

And I'm saying, since when have you seen Greek tragedy 400 BC in a sitcom?

All right.

So aside from me as Oedipus, we also have Tyler Lucas as Creon, Grace Robbins as Tiresias, also in the chorus, Carmen Peterson as Jocasta, Rafael Ra- Rasso as the messenger, Jordan Main as the shepherd, and then also in the chorus, chorus is a very important part, um, it's an old piece of-

Mm-hmm

...

It is odious and also, through the absence of suffering, untragic.

Hence it is that no one is made to act thus except in some few instances, for example, Hymen and Creon in Antigone.

Next after this comes the actual perpetration of the deed meditated.

a better situation than that however is for the deed to be done in ignorance and the relationship discovered afterwards since there is nothing odious in it and the discovery will serve to astound us But the best of all is the last, what we have in Crescentes, for example, where Merope, on the point of slaying her son, recognizes him in time.

Send will I even this man, with luck to aid, By his worth sent already, not by pride And vain pretences, he.

'Tis Megareus, The child of Creon, of the Earth-sprung born.

He will not shrink from guarding of the gates, Nor fear the maddened charger's frenzied neigh; But, if he dies, will nobly quit the score For nurture to the land that gave him birth, Or from the shield-side hew two warriors down, Eteocles and the figure that he lifts— Aye, and the city pictured—all in one, And deck with spoils the temple of his sire.

Announce the next pair: stint not of thy tongue.