Conservation and restoration of cultural property

And that in itself is a really interesting topic because I guess like anything, there's no one single project that's the same as the next.

And there's also, I think, sort of an idea that art restoration is like a jeweler's loop and a three-hair paintbrush when it's more like going to a body shop.

Like you don't want to see them making the sausage maybe.

You don't want to see what happens to the painting and the repair.