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Combat Rock

Combat Rock

Studio album by The ClashWikipedia

Search complete. 26 mentions across 16 episodes found for "Combat Rock".

Oct 14, 2026

DaveHOST
8:14
And I was thinking the other day, I was thinking about the albums.
DaveHOST
8:16
If you, if you were to, if I was to put them in order, I'd probably kind of go, um, I'd probably go London Calling first, Give Me Enough Rope, then the first album, then, then a toss-up between Sandinista and Combat Rock.
JakeHOST
8:33
Right.
DaveHOST
8:34
Um, I don't...
BrianGUEST
22:56
I do have a couple other ones that kind of surprised me that I just want to mention because I've been kind of eh on the class.
BrianGUEST
23:10
It wasn't until I listened to Combat Rock, which came out in 82, that it hit me where I really, really heard Rancid.
BrianGUEST
23:20
I know that john brought up like in the 1970s he goes oh yeah you know that that that's like one of the easiest ones you know like like the classic ranted are just like the same band basically um but like but uh combat rock by the by the class like and i'm like okay well maybe this is gonna be my gateway into really getting into the class i think you know i'm not always like the biggest i'm big on a lot of like punk rock like singles and i was like one or two songs But I have a tough time with the albums.
BrianGUEST
23:58
I don't know why.
BrianGUEST
23:59
It's just the way that I'm wired, I guess.
Joe GettyHOST
2:12
But here's the reality that some people get and some don't.
Joe GettyHOST
2:15
Uh, first track on the Clash's fabulous Combat Rock album back in the day, love the Clash.
Joe GettyHOST
2:23
Same album with "Rock the Casbah" and "Should I Stay or Should I Go." But it's, it's called "Know Your Rights," and it's kind of a sarcastic expression of what your rights are supposed to be and how they are in the real world, and it's some good punk indignation.
Joe GettyHOST
2:36
But the one, uh, one of them is you have the right to food money if you don't mind a little investigation humiliation.
Joe GettyHOST
2:12
But here's the reality that some people get and some don't.
Joe GettyHOST
2:15
Uh, first track on The Clash's fabulous Combat Rock album back in the day, love The Clash.
Joe GettyHOST
2:23
Same album with "Rock the Casbah" and "Should I Stay or Should I Go." But it's, it's called "Know Your Rights," and it's kind of a sarcastic expression of what your rights are supposed to be and how they are in the real world, and it's some good punk indignation.
Joe GettyHOST
2:36
But the one, one of them is you have the right to food money if you don't mind a little investigation humiliation.
Matt FogelsonGUEST
32:13
So like Pico Iyer, who's like a travel writer and philosophy writer, he wrote an amazing essay about when his house burned down in Southern California about a Van Morrison song.
Matt FogelsonGUEST
32:24
And Amanda Petrusich, who's the New Yorker's music critic, wrote an amazing essay about a Clash album, Combat Rock, when she was a kid and what that...
Matt FogelsonGUEST
32:33
So that was kind of the writing that I really aspired to, was to be able to write like that.
Matt FogelsonGUEST
32:38
So that, I took a lot from those journals.
Joe GettyHOST
4:24
But here's the reality that some people get and some don't.
Joe GettyHOST
4:27
Uh, first track on The Clash's fabulous Combat Rock album back in the day, love The Clash.
Joe GettyHOST
4:35
The same album with "Rock the Casbah" and "Should I Stay or Should I Go." But it's, it's called "Know Your Rights," and it's kind of a sarcastic expression of what your rights are supposed to be and how they are in the real world, and it's some good punk indignation.
Joe GettyHOST
4:48
But the one, th- one of them is you have the right to food money if you don't mind a little investigation humiliation.
Duncan EvansHOST
15:24
So I liked the verse, I didn't like the chorus, not great.
Nick CameronHOST
15:28
this one had very strong clash vibes like um uh combat rock like the the latter days of the clash with that that big reggae upswing kind of thing but it's also mixed with a lot of classic rock elements the clangy piano the the cool twiddles on the guitar this is probably my favorite song on the record yeah jefferson true blood no because there was one there were a couple episodes about king of the bayou
Duncan EvansHOST
15:57
Okay, King of the Bayou is track two.
Duncan EvansHOST
16:00
It starts with some acoustic strumming with the band backing it.

17 MINS LATER

Nick CameronHOST
32:42
I mean, this could have been a 7-inch, and it would still be more enjoyable.
Nick CameronHOST
32:48
I mean, we had to sit through so much on this one just for the few pieces of gold, and it is not worth it.
Nick CameronHOST
32:54
I will just listen to Combat Rock and The Clash self-titled and never think about this one again.
Nick CameronHOST
33:00
I do kind of want to buy the Yugoslavian edition just because I don't have a Yugoslavian pressing of anything.
Austen LaneHOST
49:14
...
Austen LaneHOST
49:14
I'm just saying Combat Rock by, by, um, by The Clash, Should I Stay or Should I Go-
Jason HambyPANELIST
49:22
I understand
Austen LaneHOST
49:22
...
DaveHOST
7:34
And then after that, there's this one.
DaveHOST
7:36
And after this, I would probably rank Combat Rock, their last album with the classic lineup.
DaveHOST
7:43
And then I would p- I would say probably their least intere- like, their worst album from the classic era would be their second album, Give 'Em Enough Rope.
DaveHOST
7:52
Not that it's bad, but because that one's...
Morgan NevilleGUEST
21:34
And again, the, the way this album was made, sold-- I mean, the label didn't even want to give them money to go into the studio when they started it because they'd just come off the road, and they were chomping at the bit, and they had to bully the label into giving them money to go and to start recording at Electric Lady in New York.
Morgan NevilleGUEST
21:51
But then, you know, if you look at what happens to The Clash after this, they go on to do "Combat Rock," their next record, which makes them much bigger, you know.
Morgan NevilleGUEST
22:02
And they have, um, "Should I Stay or Should I Go" and "Rock the Casbah" as two big hits.
Morgan NevilleGUEST
22:07
But even "Combat Rock" is a weird record, and those are weird hits, [laughs] you know.
Morgan NevilleGUEST
22:12
But the success of that, I think, is kind of what led to the end of The Clash.
Morgan NevilleGUEST
22:16
I mean, there's a tension in The Clash between the love of rock and roll and the love of power and the stage and the platform of that and, and that they were so incredibly good at it with this sense of being part of the commerciality of the record industry and America and, and England and all of the, the trappings of it.
Morgan NevilleGUEST
22:49
Joe being more of a kind of Um, uh, revolutionary beatnik type and Mick being somebody who loved the, the kind of rock star-ness of things maybe a little more.
Morgan NevilleGUEST
23:01
Though I think they both loved the other part of it, too.

6 more episodes mention Combat Rock.

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