Colton Dunn

Right.

You know, my I used to work with Colton Dunn as an executive producer way back in the day in improv and the New York comedy scene.

And these are guys who men and women who know how to write jokes.

And so what Widows Bay is doing is it's setting up a horror premise.

So like those people who were the best at UCB are now coming to Omaha and doing shows.

And there's a guy named Colton Dunn who was like one of my big heroes.

I just got to, I saw him at a fest in Michigan and we did a show together.

It wasn't even at my theater, but we're just more friends now.

I would agree on that one.

Now, this one's written by Colton Dunn, who you know him.

He's actually more of an actor than I believe he is a screenwriter.

He was in the show Superstore, which I actually liked.

She was a writer that I knew fairly well when I went through, uh, upper citizens brigade and, and hanging out in the improv scene.

One of the other writers on that show is Colton Dunn, who was a guy in the wheelchair in superstore and is himself a hilarious improviser.

Um, I don't want to say too much about the show itself because I don't want to give anything away, but it's kind of a horror...

It's interesting because it takes sort of a horror anthology approach with sort of a master overarching plot as well.

Tudyk.

[laughs] Uh, ladies and gentlemen, Colton Dunn.

You may know him.

Do people still call you Dope?

Allison Silverman, Hedda Campbell, uh, Pete Grosz.

Oh, Colton Dunn.

A lot of people know Colton Dunn.

The reason I wanted to say that is I wanted people to recognize that for whatever they're building, whatever they built in Amsterdam, it's like a real thing.

And just like most of us know Second City and being in the feeder for Saturday Night Live and stuff like that back in the day, that this was a, this is a real feeder for, for the US entertainment industry.