Clove

I may or may not share that feeling.

Whereas in the film, I feel like they are really wanting me to dislike those children, right? So, for example, like, Clove is constantly making, like, a stink face.

And I'm like, what? What is happening? Right.

With this facial expression, you know, so it's not necessarily what they're always saying, but it's just the way that they, you know, behave.

Thank you for bringing it up, because I definitely wanted to ask you about the Josh encounter.

Okay, and I didn't want to seem like a fake fan, but he was there with Clove and Foxface, who I know you know the names of.

Which state was this, if you don't mind my asking?

This was suburban Illinois.

So, like I said, political marriage.

Clove is part of this political marriage because her dad is the beta for the Nantala pack, okay? Okay.

A beta here is not...

Maybe a distinction.

Oh,

sure.

So Clove is kind of worried about this because her wolf on the inside is very, like, alpha-coded.

Like, her wolf is very strong and very, like, stubborn and hard-headed and like

Nerdery, read by Zames Curran.

Clove, read by Nemo.

Orange, read by T.J. Burns.

Cordatus, read by Lianya.

He usurps upon cheats, quarrels, and robberies, which he never did, only to get him a name.

His chief exercises are taking the whiff, squiring a cockatrice, and making private searches for imparters.

clove and orange an inseparable case of coxcombs city-born the gemini or twins of foppery that like a pair of wooden foils are fit for nothing but to be practised upon being well flattered they'll lend money and repent when they have done their glory is to invite players and make suppers and in company of better rank to avoid the suspect of insufficiency will enforce their ignorance most desperately to set upon the understanding of anything Orange is the most humorous of the two, whose small portion of juice being squeezed out, Clove serves to stick him with commendations.

Cordatus, the author's friend, a man inly acquainted with the scope and drift of his plot, of a discreet and understanding judgment, and has the place of a moderator.

well? Across used text from Walt Whitman's Song of Myself, but it was refracted through a set of Beckett-y characters.

One of the foundational ideas in the piece was that if Clove actually leaves at the end of Endgame, what happens? So we turned these four versions of Clove loose on the streets in Old City, which was right where Clove was in our universe two years before.

And the audience would follow the clove, whichever clove or sea was the name of it.

Right.

And you say in a lot of ways it was the most conventional approach to a theory you've ever taken.

People aren't wandering around.

But then two years later, you set the character of Clove free.

to wander through the neighborhood where the fringe typically took place.