Clayton Davis

and then he's going to be clearly a supporting for Dune Part 3 and for The Odyssey.

Now, Clayton Davis has him in his supporting five for The Odyssey.

Well, that's the other part of this quandary.

I was going to say, okay, if he runs supporting instead, or the Academy wants him to be there for supporting instead, and this goes supporting, you're not going to put his eligibility...

He was in the Vacation remake.

This kid has been around.

He's 24th right now on Clayton Davis' list, but I think that's from a couple of weeks ago.

Should be higher.

Nischella felt the movie's unusual storytelling prevented the performance from reaching its full potential and also said that his full potential was required, which wasn't there.

Varieties Clayton Davis also found strengths in Cruise's work and several technical elements.

However, Davis questioned whether the director successfully brought the movie's competing ideas together.

Awards, Red Oz, Joy, Megazon, responded much more negatively, calling the film, quote, a mess.

Nagella felt the movie's unusual storytelling prevented the performance from reaching its full potential and also said that his full potential was required, which wasn't there.

Variety's Clayton Davis said, also found strengths in Cruise's work and several technical elements.

However, Davis questioned whether the director successfully brought the movie's competing ideas together.

Awards, Red Oz, Joy, Megazon, responded much more negatively, calling the film, quote, a mess.

Cruise really does shine.

Clayton Davis wrote Digger is not what people are expecting and how audiences react may be the ultimate test of Tom Cruise's star power.

I respect the swing and what Alejandro Gonzalez and Ratu is going for.

Tom Cruise and John Goodman are delivering stellar work.

white people and it's weird how have we actually seen any like articles written about it I haven't I mean I know Gold Derby did but

Clayton Davis I think

wrote about it yeah

but was there any like outrage though I mean I don't know no I haven't seen

This comes from Variety.

It's written by Clayton Davis.

Emmys, So White Part 2.

No actors of color win major acting prizes on TV's biggest night.

Anyway, we just, diversity is, is a huge problem.

And You know, on top of that, this is what...

Who's the writer for this piece again? Clayton Davis.

What Clayton Davis brings up is the idea that there's too much TV.

And even though, you know, Harrison Ford got a tribute or whatnot, but.

Also worth mentioning, absolutely, and Clayton Davis was the first to point this out, it was Emmys so white for the second year in a row.

Part two.

How does this happen? No people of color representing any winners there, so that's ridiculous, as it always is, and finger of shame, and this is the systemic problem, and we're not going to get on a high horse in this episode, but it's the same thing we keep talking about over and over

73% on 12 Rotten Tomato reviews, 73 Metascore.

Look at that.

October 9th release, and Clayton Davis was singing Misty Green's praises, Michael.

Each scene feels fit for

Michael Schneider, executive TV editor at Variety.

Clayton Davis joins us now.

He's the chief awards editor of Variety.

Variety's director of features, Emily Longeretta.

Hey, it is The Round Table.

It is Emmys.

We are here, Clayton Davis, Jazz Tangcay, Michael Schneider.

Guys-

We're gonna talk about all of it, the Oscars race has been.

And Clayton Davis' work detonated in a couple different ways-

Mm

... including a huge surprise screening that, uh, nobody saw coming.

Paul Giamatti seems to have a strong case in supporting.

100% on nine Rotten Tomato reviews early on.

Clayton Davis' piece read that there was spontaneous applause throughout two separate scenes for-

That's crazy