Skip to main content
Claude Debussy

Claude Debussy

French composerWikipedia

Search complete. 241 mentions across 134 episodes found for "Claude Debussy".

Oct 30, 2026

Tricia RobertsonGUEST
21:27
And I'm trying to remember.
Simon BownHOST
21:30
You talk about Liszt, Beethoven, Bach, Schumann, Schubert, Brahms, Debussy, Rachmaninoff.
Tricia RobertsonGUEST
21:37
But she never ever claimed that she was even playing them.
Tricia RobertsonGUEST
21:41
She was just being used as a physical instrument to play what they were actually giving her.
Larry FessendenPANELIST
75:15
One is the scene at the piano where she's playing... she's playing Beethoven, a fairly dark, you know, one of our favorites from the man.
Larry FessendenPANELIST
75:27
And then Dracula comes in and it's this fascinating idea that his influence, she starts playing like Debussy, although I don't, I mean, it's not actually, I don't think a classic composer, I think it's something else.
Larry FessendenPANELIST
75:40
But I love this moment where the idea of sort of more modern art with the tones becoming more avant-garde, I think it's a fascinating I think it's a standalone scene in a in a in a movie of its time that really talks about you know, art having this essence and whatever.
Larry FessendenPANELIST
76:00
Anyway, it's very sweet.
Zeth LundyHOST
43:11
The Spirit of Eden was inspired by Miles Davis' In a Silent Way and Bitches Brew.
Zeth LundyHOST
43:16
It was inspired by Bela Bartok and Claude Debussy.
Zeth LundyHOST
43:20
The songs are like unhurried and they're sprawling and they are seemingly improvised at times, but you get this overwhelming sense of space and time and place, more so in Spirit of Eden than Laughingstock.
Zeth LundyHOST
43:32
Laughingstock is like a tighter version of Spirit of Eden.
Hyung-ki JooGUEST
15:48
And so there's that wonderful story, you know, of Mozart who played a note with his nose to fool Haydn.
Hyung-ki JooGUEST
15:57
And Debussy writes about that in his preface to his etudes.
Hyung-ki JooGUEST
16:01
He says, I deliberately haven't written any fingerings in my etudes because in the case of Mozart, I mean, I'm paraphrasing it, but basically he says, you know, if you have to play with your nose, then why not?
Erica WorthHOST
16:13
Yeah, yeah.
Anna CalviGUEST
33:17
Yeah, I think I've just listened to a lot of different types of music over the years.
Anna CalviGUEST
33:22
I mean, I love Ennio Morricone, I love a lot of classical music like Ravel and Debussy and I
speaker_5SOUNDBITE_SPEAKER
33:28
love David Bowie and
Anna CalviGUEST
33:29
yeah, I think there's kind of really very different influences come in and help me create something.
Maurice PowellHOST
0:36
Welcome to A Little Light Music, Banks Radio's regular Thursday evening classical music hour.
Maurice PowellHOST
0:42
We have two short pieces by Beethoven in this evening's programme, some Debussy, a masterpiece of Renaissance English choral music, we'll come to that later, a bit of Bach, and even Rossini gets in there just at the end.
Maurice PowellHOST
0:59
So quite a varied programme.
Maurice PowellHOST
1:01
And we never know, we might even have time for some genuine British-like music.
Maurice PowellHOST
5:06
So, our second piece this evening is also a march.
Maurice PowellHOST
5:10
A bit unusual, we don't usually start a programme with two marches, but this is rather different.
Maurice PowellHOST
5:16
This is by Debussy, and it's a Scottish march.
Maurice PowellHOST
5:20
It doesn't sound much like a march, I have to say.
Denise Finnegan-HillHOST
156:23
Piano music of CloudWC Now.
Denise Finnegan-HillHOST
156:25
This is from Images, book one, number one.
Denise Finnegan-HillHOST
156:28
Reflects Dan's Lou.
Denise Finnegan-HillHOST
156:30
Performed by pianist Georges Plutemarker.
Denise Finnegan-HillHOST
157:59
so so Thank you.
Denise Finnegan-HillHOST
159:02
so Thank you.
Denise Finnegan-HillHOST
160:19
so so you Georges Plutemaker was at the piano performing Images, book one, number one,
Mary Louise KellySOUNDBITE_SPEAKER
161:28
by CloudWC.
Rachel EfronGUEST
15:42
I would spend my evenings writing songs or playing gigs.
Rachel EfronGUEST
15:46
And every afternoon, I would welcome six-year-olds and 12-year-olds and 17-year-olds and 50-year-olds into my studio apartment to play quarter notes and octaves and jazz standards and Debussy on my little electric keyboard three feet from my bed.
Rachel EfronGUEST
16:07
It was a shoddy operation, but also it was very cool because one moment I would be so upset about the gig that I'd wanted so much that I didn't get.
Rachel EfronGUEST
16:21
And the next moment I would be listening to an eight-year-old tell me about her adorable pet dog.
Rachel EfronGUEST
15:42
I would spend my evenings writing songs or playing gigs.
Rachel EfronGUEST
15:46
And every afternoon, I would welcome six-year-olds and 12-year-olds and 17-year-olds and 50-year-olds into my studio apartment to play quarter notes and octaves and jazz standards and Debussy on my little electric keyboard three feet from my bed.
Rachel EfronGUEST
16:07
It was a shoddy operation, but also it was very cool because one moment I would be so upset about the gig that I'd wanted so much that I didn't get.
Rachel EfronGUEST
16:21
And the next moment I would be listening to an eight-year-old tell me about her adorable pet dog.
DavidNARRATOR
81:32
In Great Lives, comedian Mel Gedroitsch nominates her distant relative Vera Gedroitsch, who was physician to the Russian Imperial Court and was also the first female military surgeon in Russia.
DavidNARRATOR
81:47
Great Lives is on Radio 4 at 3 p.m. Radio 3 in concert today brings you music from Schubert, Liszt, Debussy and Rachmaninoff on Radio 3 at 7.30pm. And today's vintage comedy is a 1976 episode of Dad's Army and that's on BBC Radio 4 Extra at 7.30am, 12.30pm and 6.30pm. And Tuesday, the 6th of October.
DavidNARRATOR
82:22
In the Studio brings you a trio from Berlin making music with a rare vintage synthesiser from Cold War East Germany.
DavidNARRATOR
82:31
In the Studio is on BBC World Service at 1.30pm, repeated at 10.30pm. Five actors reflect on their time playing the role of Mother Courage in the 1939 play by the German dramatist Bertolt Brecht.

124 more episodes mention Claude Debussy.

Create an account to see the whole feed, search across every transcript, and follow the entities you care about.

We value your privacy

We use cookies to understand how you use our platform and to improve your experience. Click “Accept All” to consent, or “Decline non-essential” to opt out of non-essential cookies. Read our Privacy Policy.