CineAlta

And, um, you know, and then what we had to do in terms of creating new material is we had to work out a system to be able to shoot s- to shoot modern material that looked identical, and that's really hard because we, we, we knew we couldn't just, we didn't have the money to shoot the whole film on 35 millimeter or, or even 16 millimeter.

We, we shot a little bit on 16 mil, but most of it was shot on a, on a Sony Venice camera.

Um, we-

Which is great, yeah