Yeah

... uh, seeing him in, uh, in Freedom as like his fully developed, like, a, this cool character who's looks up to Kira as his mentor and has his stuff together, it's very different from where he was in Destiny.

I hope that the prequel movie gives us more of that, 'cause I love this, I love the universe.

I want the story.

Um, 'cause this is the thing.

I know s- Gundam Seed r- from fans, some, a section of fans receives a lot of hate, but I don't, never understood why, because it's just a new modern version retelling of the original UC story.

It's just that A, uh, it's just that Amuro has now been split into like Kira and Athrun.

... appreciated.

Voice directing a video game, how do you approach a project like that?

With that one, it was just like, hey, Chris, you're also here directing another game.

Can you come in and help us fill in the gaps with this one? So I was like, yes, I love Tekken.

I've been playing since PS1, so yes, please.

It was great because I specifically got to work with... with Beau Billingsley for his Leroy sessions, and DC Douglas as Raven, and those were so much fun.

So great to work with.

And Leroy, I think, is a fantastic character.

How much director prep time are you having between getting the materials that you're going to be working on and getting into a session with an actor?

Um, what is their mission? What do they do?

So Studio at 620 is, it's a performance arts, uh, studio.

It's an art gallery.

It's the incubator for the arts in the St. Petersburg community.

It was founded by Bob Devon Jones, a good friend of mine.

He asked me to join the board.

It's now run by, uh, our, our new executive director, uh, Erica Sutherland, who is phenomenal.

Yeah.

Let's talk about kind of the right tools or the tech stack that you would recommend for navigating quickly in a developing crisis.

Yeah, and I'll speak broadly on that.

I mean, obviously, as you look at these crises, you have to think of tools that hit on all these layers.

The first layer, obviously, is the listening monitoring one.

Are you understanding and getting detail on the conversations as they happen? Um, and I think there's a, there's a really important point.

This is a conversation we're having with a lot of our PR customers right now.

Uh, there tends to be an onus on the editorial side.

Do you want to walk through kind of the advancements you've made at your organization with this offering? Or do you want to talk through some of the challenges and dynamics that we face with the use of AI to understand narratives?