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Chris Boucher

Chris Boucher

Television screenwriterWikipedia

Search complete. 15 mentions across 9 episodes found for "Chris Boucher".

Sep 20, 2026

Joe FordHOST
74:48
wouldn't you wear tinfoil on your feet I mean yeah exactly
Tom NeenanGUEST
74:52
yeah I think everything else about this story is so robust and so muscular and so good I think Chris Boucher is the best arguably the best writer classic who had dialogue why i think character and dialogue wise no one comes close even even like um i love terence dicks i love uh i love douglas adams robert holmes
Joe FordHOST
75:18
maybe right i mean when he went over to blake seven it was a gift to them wasn't it
Tom NeenanGUEST
75:21
Yeah, he only did three.
Simon MooreHOST
30:00
And it is the last Verity episode, and I think there is a real contrast [laughs] to that episode and then what we get here in, in terms of care.
Peter GriffithsHOST
30:11
The question that we should be focusing in on here, Simon, is where was Donald Tosh in all of this? He's the script editor, and he's the script editor of all of those stories that you identify.
Peter GriffithsHOST
30:22
He, it only lasts for a very short time.
Peter GriffithsHOST
30:24
So what was he doing? Why, okay, so we know that Terry Nation and Dennis Spooner got together and had a meeting, probably lasted five minutes judging by the end result-
Toby HadokeGUEST
33:32
And because he makes it look so easy, I think it's, it's easy to respect him l- less because we are more drawn to poetic dialogue and funny jokes and all of, all of that.
Peter GriffithsHOST
33:41
That's right, and I respect him greatly for this.
Peter GriffithsHOST
33:44
We have the, the superb example of Blake's 7 where Terry provides nuts and bolts stories that work and characters that leap off the page, and then the script editor, who in that case is a good script editor, Chris Boucher, comes in and adds little bits of color and excitement and detail-
Toby HadokeGUEST
34:02
Mm.
Simon MooreHOST
30:00
And it is the last Verity episode, and I think there is a real contrast [laughs] to that episode and then what we get here in, in terms of care.
Peter GriffithsHOST
30:11
The question that we should be focusing in on here, Simon, is where was Donald Tosh in all of this? He's the script editor, and he's the script editor of all of those stories that you identify.
Peter GriffithsHOST
30:22
He, it only lasts for a very short time.
Peter GriffithsHOST
30:24
So what was he doing? Why ...
Toby HadokeGUEST
33:32
And because he makes it look so easy, I think it's, it's easy to respect him l- less because we are more drawn to poetic dialogue and funny jokes and all of, all of that.
Peter GriffithsHOST
33:41
That's right, and I respect him greatly for this.
Peter GriffithsHOST
33:44
We have the, the superb example of Blake's 7 where Terry provides nuts and bolts stories that work and characters that leap off the page, and then the script editor, who in that case is a good script editor, Chris Boucher, comes in and adds little bits of color and excitement and detail-
Toby HadokeGUEST
34:02
Mm.
Fraser GregoryGUEST
51:01
It is.
Fraser GregoryGUEST
51:01
It is, because everyone knows that, you know, Chris Boucher wrote three Doctor Who stories.
Fraser GregoryGUEST
51:06
Everyone knows the, the real, the absolute brilliant one, which is The Face of Evil.
Fraser GregoryGUEST
51:13
Everyone else really likes Robot's of Death.
SteveHOST
2:41
Callie and Avon Avon prepares to attempt the hold-off of the Andromedans single-handedly until Cerberland's ship arrives.
SteveHOST
2:50
So that is Star 1, which was transmitted Tuesday 3rd April 1979, written by Chris Boucher, directed by David Maloney, and cast, not quite a thousand, but quite a few cast.
SteveHOST
3:02
Lorena was played by Jenny Twigg, Stop was played by David Webb, Parton by Gareth Armstrong, Durkan by John Brown, Mark Hall by Paul Tootle, Leith by Michael Mayard.
SteveHOST
3:14
Searchers were Derek Broom and David Kahn.

9 MINS LATER

LynnPANELIST
12:26
So because he's been the producer for these two series, he he knows.
LynnPANELIST
12:30
Right.
LynnPANELIST
12:31
He's been working with Chris Boucher, a script editor.
LynnPANELIST
12:34
He knows the characters that must.
LynnPANELIST
31:24
She holds her own.
LynnPANELIST
31:26
Um, yes, that exchange with Servalan, I mean, that's got to be Chris Boucher.
LynnPANELIST
31:29
I can't see Terry Nation writing that in a million years, but it's beautiful.
LynnPANELIST
31:34
It's so bitchy.
SteveHOST
21:36
So, yeah.
NickPANELIST
21:39
I was going to say, you'd think that's where Chris Boucher, as script editor, would step in and say, look, Alan, this happened in the last episode,
SteveHOST
21:48
so you can't have that.
SteveHOST
21:49
He did step in.
MarkHOST
73:04
It's just from when people are chatting on the deck of the Liberator or when they're wandering around somewhere, just not talking about anything necessarily plot relevant, but just the dynamics and the chat and the interplay of the characters.
MarkHOST
73:18
And those are the highlights of Blake 7, really, aren't they? That dialogue, which is presumably Chris Boucher.
MarkHOST
73:25
And...
MarkHOST
73:26
I found that a lot with this as well.
James SelwoodHOST
48:38
Mm.
Nathan BottomleyHOST
48:38
So it's not the sort of, you know, late Series A of Blake's 7 where it's all being written on the back of a napkin and stuff and given to Chris Boucher to flesh out.
Nathan BottomleyHOST
48:47
I don't think that is happening here, whereas you do get, like, Dennis Spooner having to do work on The Chase.
Nathan BottomleyHOST
48:53
Is that right?

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