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Ceiling

Ceiling

Search complete. 52 mentions across 12 episodes found for "Ceiling".

Oct 30, 2026

ManiHOST
0:55
And nobody stops to ask why.
ManiHOST
0:57
The designer draws them, you sign off, the sparky runs the cable, and the ceiling closes.
ManiHOST
1:04
Once the plaster is up, that's it.
ManiHOST
1:07
Moving a pendant means cutting the ceiling open again.
ManiHOST
1:10
That's money, that's mess, and that's time.
ManiHOST
1:13
So before you sign off, you need to think about your lighting, not after rough-in, before.
ManiHOST
3:16
Now, why double? Because you don't want skinny ones.
ManiHOST
3:20
A skinny down light over a big bench gives you a hard little spot and that's it.
Zach MeikleHOST
39:58
You see that there's these large stone pillars, some of them still holding up the roof or the ceiling.
Zach MeikleHOST
40:03
Others have collapsed and broken into pieces, kind of providing these little bits of cover and half cover throughout the chamber.
Zach MeikleHOST
40:10
These piles of rubble kind of stream in from the corners where the Ceiling gave out in spots.
Zach MeikleHOST
40:15
And on the opposite end of the building from where the vault is, is this large doorway that's long eroded.
Zach MeikleHOST
40:22
And you see these four creatures standing there moving in with their bones.
ManiHOST
0:06
Your plan is drawn.
ManiHOST
0:08
The electrician is coming out this week to mark the ceiling and you look at the lighting layout and think, yeah, that looks fine.
ManiHOST
0:16
It's a grid.
ManiHOST
0:17
Rows of downlights, evenly spaced, every room the same.
ManiHOST
0:22
That's not a plan.
ManiHOST
0:23
That's the absence of a plan.
ManiHOST
0:26
So before anyone marks that ceiling, stop for 10 minutes because this is the last moment.
ManiHOST
0:31
It's still free to change.
ManiHOST
2:33
By the time you notice, you've moved in.
ManiHOST
2:36
The ceiling is closed, the joinery is in, and the fittings are paid for.
ManiHOST
2:42
Let me show you what it looks like when it's done right.
ManiHOST
2:44
At Wimbledon, our duplex in St Kilda East, we've got our natural white paint and we've got our lighting.
ManiHOST
4:57
They decide distances and ratings.
ManiHOST
4:59
But the color, that's your call.
ManiHOST
5:01
And you make it before the ceiling closes.
ManiHOST
5:05
So here's one question to ask your supplier or your electrician.
ManiHOST
0:09
You stop in the entry and you look around and something feels flat.
ManiHOST
0:14
Every ceiling has the same grid of downlights.
ManiHOST
0:17
The stone, the artwork, the view to the garden, none of it stands out.
ManiHOST
0:21
It's all just lit the same.
ManiHOST
0:40
Here's the thing about lighting.
ManiHOST
0:41
It's very, very underrated.
ManiHOST
0:45
Most new homes get lit with a grid, down lights in rows, evenly spaced across every ceiling.
ManiHOST
0:54
The room is lit and that's it.
瀧川幸樹HOST
4:57
行きました。
小川実桜HOST
4:59
けど、いろいろあって、会場をこうさまよってたどり着いたのが、コンサートステージの真上、天井の裏。
瀧川幸樹HOST
5:09
はいはいはいはい。
小川実桜HOST
5:10
なんかもう覗き見の画角ですよ。
Jon WyattHOST
0:00
[upbeat music] Good day, and welcome to this podcast of If Walls Could Talk.
Jon WyattHOST
0:13
I'm Jon Wyatt of Walls and Ceilings Magazine.
Jon WyattHOST
0:17
Joining me today is our consistent friend.
Jon WyattHOST
0:21
His name is Tom Harris of Tom Harris PUR Consulting LLC, and it is my pleasure to chat with him.
Tom HarrisGUEST
0:30
Yeah, I'm doing great, Jon.
Tom HarrisGUEST
0:32
Thanks very much for hooking up again.
Tom HarrisGUEST
0:33
I appreciate the opportunity to speak with Walls and Ceilings Magazine, and, uh, you know, we got some things going on in the industry, so we should get to it.
Jon WyattHOST
0:43
I think we should.
speaker_0HOST
1:49
A ceiling is the overhead surface above the floor, often painted or decorated.
speaker_0HOST
1:54
Ceiling.
speaker_0HOST
1:56
Decke.
speaker_0HOST
1:57
Light refers to a lamp or bulb that provides illumination in a room.
speaker_0HOST
2:01
Light.
Nick HarmonHOST
0:24
All right, whatever.
Nick HarmonHOST
0:25
Anyways, with us today, we are lucky enough to wrangle Mark Fowler, author, editorial director of a little publication called Walls and Ceilings Magazine, prolific author, executive director of the Stucco Manufacturers Association, and 50 years in the industry with heavy focus on plastering and plastering systems.
Nick HarmonHOST
0:54
episode we talk about interior finishes of course and the industry transition from plastering to drywall in the early 70s and the steady insurgence of drywall into the european markets he knows a little bit because he has connections to germany and we talk about that too mark is the quintessential expert in plaster systems and systems in general and that expertise shines through
Mark FowlerGUEST
1:21
In Washington State, it was known to be the worst city to do building work.

6 MINS LATER

Nick HarmonHOST
7:22
But Mark... is you wrote a book on plaster.
Nick HarmonHOST
7:27
You are a quintessential systems expert, I would say.
Nick HarmonHOST
7:32
And you're also involved with Walls and Ceilings magazine.
Nick HarmonHOST
7:35
So you've not just involved the... editorial director.
Art EisnerHOST
0:09
Hi everyone, and welcome to a special episode of Walls and Ceilings, If Walls Could Talk podcast.
Art EisnerHOST
0:14
I'm Art Eisner, the Director of Industry Engagement for Walls and Ceilings, and I'm glad to be joined today by Kathy Schock and Jenna Engel with Sherwin-Williams.
Art EisnerHOST
0:23
Welcome to the podcast.
Art EisnerHOST
0:24
How are you both?

2 more episodes mention Ceiling.

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