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Bud Powell

Bud Powell

American jazz pianist and composerWikipedia

Search complete. 50 mentions across 37 episodes found for "Bud Powell".

Oct 21, 2026

Mitch JoelHOST
16:46
the music more.
Michael KarnGUEST
16:47
Like Louis Armstrong was on the scene and then Earl Hines sort of translated this into piano and they call like Bud Powell was sort of took Charlie Parker's language and put it on the Andy
Mitch JoelHOST
16:56
Randazzo was saying that to me also the other day, that he thinks it's because a lot of the music was formulated by the horn.
Mitch JoelHOST
17:03
I'm less sophisticated, so I thought, well, why wouldn't it be guitar or piano? But I guess it's just usually horn-led.
ChrisHOST
0:14
Excited to get into this one here as part of the 2026 Tone Poet Vinyl Series is Sonny Rollins' Volume 2.
ChrisHOST
0:22
Having first appeared on a Blue Note session as a member of Bud Powell's Modernists in 1949, Sonny Rollins returned to the label in 1956 to record a series of four tremendous leader dates in less than a year.
ChrisHOST
0:36
Recorded April 1957, the saxophonist's second album for Alfred Lyon, Volume 2, found him in esteemed company with J.J. Johnson on trombone, Horace Silver on piano, Paul Chambers on bass, and Art Blakey on drums for a high-spirited bop date.
ChrisHOST
0:52
And then for the album's two centerpieces, Thelonious Monk joins the festivities and... for some memorable versions of his own compositions.

6 MINS LATER

ChrisHOST
7:05
Born and raised in New York City, Sonny began his professional career with the colorful Babs Gonzalez.
ChrisHOST
7:12
He has since worked with almost every artist of any repute in modern jazz.
ChrisHOST
7:17
Parker, Bud Powell, Fats DeVaro, Miles Davis, Todd Dameron, Kenny Dorham, Clifford Brown, Art Farmer, and Roach, among many others.
ChrisHOST
7:26
Of the magnificent Thelonious Monk, little can be said that has not already been said.
Jack CoyneHOST
29:46
Yeah.
Jon BatisteGUEST
29:47
And In Walk Bud is a tribute to Bud Powell.
Jon BatisteGUEST
29:52
Bud Powell is a pianist who was his contemporary and also a unique, unsung, underrated genius.
Jon BatisteGUEST
30:01
And they were like best friends.
Jon BatisteGUEST
30:04
In this time, he was writing a song in dedication to Bud that captured Bud's voice.
Jon BatisteGUEST
30:31
how you would write if you were writing in the voice of a character or a person that's not you, but you wanted people to also know that it was you that wrote it.
Jon BatisteGUEST
30:44
It's such a flip, and that's the gift of having these recordings.
Jon BatisteGUEST
30:48
You could study this, and then we could put Bud Powell on, and then you'd be able to be like, oh, I hear what he was doing.
Matthew ShippGUEST
6:50
So when you put that with the kind of post-bop roots that he has, especially coming out of Philadelphia, because there is some.
Matthew ShippGUEST
7:00
Not only does Bud Powell bleed into his early playing, but Hassan Ibn Ali, the great, what I call mystery school pianist out of Philly, who, Odin Pope, the saxophonist who knew Hassan very well, told me he was over Hassan's house a lot when McCoy was a teenager and coming over.
Matthew ShippGUEST
7:22
And, you know, Hassan was showing him things.
Matthew ShippGUEST
7:26
I think I recall Odin telling me that I could be having a I'm in my mid 60s now.
John ClaytonGUEST
127:14
Why Ray is so important to the music that we love is because he was alongside, standing next to, playing with the founders of bebop.
John ClaytonGUEST
127:28
Dizzy and Bird and Bud Powell and Monk and A lot of the bass contribution to bebop started with Ray Brown.
John ClaytonGUEST
127:38
Yes, Bird did have other, as did Dizzy, have other bass players, but Ray is the one who really kind of brought it to a level and a height from the get-go that helped catapult the music.
John ClaytonGUEST
127:59
His drive, his bass lines, his solos, the feature things that he used to do with Dizzy Gillespie's big band.
Robb CappellettoGUEST
16:58
I mean, we both grew up as metal kids, essentially.
Robb CappellettoGUEST
17:02
And I think we are into a lot of was some common ground which is you know a reason we talk a lot about tony rice um but also you know talk a lot about hendrix and i think more so than just being into the same players we like players that exhibit the same kinds of characteristics so if i get him flat picking an alan holdsworth solo it's like yeah this is hard but let's get to it you know or flat-picking Bud Powell, whatever it is.
Robb CappellettoGUEST
17:32
He never gives me any contest on any of that stuff.
Robb CappellettoGUEST
17:36
He knows if I'm giving him something, there is some long-term outcome for

Unknown podcast

Ornette Coleman at the Five Spot: The Hidden Moment That Sparked Free Jazz

Oct 13 · 1 Mention

speaker_1UNKNOWN
8:40
That split criticism fed into a larger conversation about authenticity versus accessibility.
speaker_1UNKNOWN
8:48
Fast forward to the bebop era, and you can hear traces of Wilson's influence in pianists like Thelonious Monk and Bud Powell.
speaker_1UNKNOWN
8:57
They took his sense of rhythmic displacement and applied it to more angular harmonies.
speaker_1UNKNOWN
9:03
Even though bebop was a radical departure, its lineage points back to that same foundation he helped lay.

Unknown podcast

Stride vs. Jazz: The Fats Waller Debate That Shaped Modern Jazz

Oct 13 · 1 Mention

speaker_0UNKNOWN
4:55
That shows how an individual style can ripple through entire genres.
speaker_0UNKNOWN
4:58
When bebop emerged, pianists like Thelonious Monk and Bud Powell borrowed from Stride's angular melodic ideas, but pushed them into more abstract, harmonic territories.
speaker_0UNKNOWN
5:12
They kept Waller's sense of rhythmic surprise, while adding dissonance that challenged listeners.
speaker_0UNKNOWN
5:19
So the lineage goes rag, stride, swing, bebop.

Unknown podcast

Earl Hines: Piano Pioneer Who Rewrote Jazz

Oct 13 · 1 Mention

speaker_1UNKNOWN
4:21
It seeped into the pedagogy of jazz pianists for decades to come.
speaker_1UNKNOWN
4:26
Bud Powell, in his early recordings, echoed Heinz's left-hand stride, but added a bebop vocabulary that pushed the harmonic envelope further.
speaker_1UNKNOWN
4:38
Herbie Hancock later cited Heinz as a key reference point when crafting his own modal explorations on the Fender Rhodes.
speaker_1UNKNOWN
4:47
Even today, students at conservatories study Hines' phrasing to understand how to blend rhythm with melody.
Larry SeidmanHOST
24:41
That's the man who died with him in that horrible car crash.
Larry SeidmanHOST
24:45
It was Bud Powell's brother.
Larry SeidmanHOST
24:47
Harold Land on tenor sax, George Morrow bass, and drummer Max Roach.
speaker_3UNKNOWN
24:52
Roach.[on-hold jazz music]

27 more episodes mention Bud Powell.

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