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Brill Building

Brill Building

Historical landmark in New YorkWikipedia

Search complete. 57 mentions across 40 episodes found for "Brill Building".

Oct 30, 2026

Weldon Gardner-HunterHOST
8:34
But he dropped out, so maybe his fencing career never really happened, but he had a huge, massive career.
Weldon Gardner-HunterHOST
8:40
He started working in the Brill building, and of course he wrote I'm a Believer.
Weldon Gardner-HunterHOST
8:44
This is his first solo hit, Cherry Cherry, and then of course a string of massive hits to follow.
Weldon Gardner-HunterHOST
8:49
So throughout the 70s and 80s, he just kept racking up major hits like Sweet Caroline and Well, they're coming to America.

9 MINS LATER

Eric KomernickiHOST
18:03
As a matter of fact, that's a, they are
Weldon Gardner-HunterHOST
18:05
the Queens of the Hayes.
Weldon Gardner-HunterHOST
18:07
And I wouldn't, I wouldn't doubt that there is a, you know, at least if it's not direct influence, it's, it's brill building.
Weldon Gardner-HunterHOST
18:14
So there could be, there could be the idea that this is the kind of thing you have to add.
MutluHOST
40:54
Yes.
MutluHOST
40:55
But a throwback to like, you know, almost like Brill Building era, like Dionne Warwick.
MutluHOST
41:02
And, you know, these singers who... like had these amazing voices and there would be these like beautiful lush productions around them.
MutluHOST
41:08
Like she, she feels like she fits in there too, but you can't, she definitely can't be pigeonholed because it depends on what context you're hearing.
Richard ThompsonGUEST
11:56
Mm-hmm.
Richard ThompsonGUEST
11:57
working in the Brill Building or something, who's in there every day, you know, or even Rodgers and Hart or Rodgers and Hammerstein, professional songwriters who are writing at least a show a year, maybe sometimes two shows a year, and a show is, what, 16 songs or something? That's like a job.
Richard ThompsonGUEST
12:13
But it's still creative.
Richard ThompsonGUEST
12:14
They're still pushing themselves, but they're still reaching that same creative point, even though they're sitting in an industrial building creating this stuff.
SandyHOST
61:36
I know I was going to play, but I won't now, so that's okay.
SandyHOST
61:41
Before that... 16-year-old, out of the Brill Building.
SandyHOST
61:48
Oh, I don't know if she recorded this.
SandyHOST
61:50
Carole King.
SandyHOST
62:28
Yeah, absolutely the same age.
SandyHOST
62:29
Well, I don't think either of them...
SandyHOST
62:31
Well, Lou Reed wasn't in the Brill Building at 16.
SandyHOST
62:33
No,
Shaun PonsonbyHOST
11:27
So they're like, we write good songs.
Shaun PonsonbyHOST
11:29
We'll just walk up to the Brill Building, give them our songs, and they'll love us.
Shaun PonsonbyHOST
11:34
You know the Brill Building? Can you explain what the Brill Building was? It's the place where Tim Panali happened, right? God, if there was a song in the 60s.
Shaun PonsonbyHOST
11:42
It came out of there.
Shaun PonsonbyHOST
11:43
It probably came out of there.
Bernhard SchmitzHOST
7:33
Hanging out in a diner next to where the Ed Sullivan TV show was taped, he fell into conversation with some background vocalists who told him that Decker Records was scouting talent.
Bernhard SchmitzHOST
7:49
As Ingram told it, he walked straight into the famous Brill Building offices of veteran A&R man Milt Gabler and sang a cappella right in front of his desk, resulting in being signed on the spot.
Bernhard SchmitzHOST
8:08
Most likely, Ingram conflated memories here.
Bernhard SchmitzHOST
8:12
And the meeting was almost certainly set up via publisher or booking contact in the Broadway orbit rather than a cold walk-in off the street directly to Milt Gabler.
Laurie SpiegelGUEST
14:33
early eventide days and um Yeah, anyway, that was in a cool building full of studios and stuff.
Laurie SpiegelGUEST
14:44
It was kind of like an unofficial extension of the Brill Building.
Laurie SpiegelGUEST
14:48
It had a lot of creative work going on in it.
Laurie SpiegelGUEST
14:53
Anyway, Valken Films, V-A-L-K-H-N Films, not Vulcan.
Laurie SpiegelGUEST
14:33
early eventide days and um Yeah, anyway, that was in a cool building full of studios and stuff.
Laurie SpiegelGUEST
14:44
It was kind of like an unofficial extension of the Brill Building.
Laurie SpiegelGUEST
14:48
It had a lot of creative work going on in it.
Laurie SpiegelGUEST
14:53
Anyway, Valken Films, V-A-L-K-H-N Films, not Vulcan.
Henry DiltzGUEST
2:42
Elvis Presley never wrote any songs.
Henry DiltzGUEST
2:44
There were the songwriters in the Brill Building who wrote the songs, and then the singers would sing them.
Henry DiltzGUEST
2:49
Well, what happened in the late 60s was the singers became the songwriters.
Henry DiltzGUEST
2:55
You know, Joni Mitchell, James Taylor, Neil Young, Stephen Stills.
Paul AbbottHOST
21:34
So there's this chap, George Morton, who becomes known as George Shadow Morton.
Paul AbbottHOST
21:39
And he's been in bands and done a little bit of songwriting, but he goes to the Brill Building.
Paul AbbottHOST
21:45
He meets up with the team at Redbird Records, which is like Jeff Barry, Ellie Greenwich and a couple of other folk.
Paul AbbottHOST
21:50
And apparently Jeff Barry gets a bit combative with him, like, yeah, what have you written then? And he's like, well, I have, I've written songs.

30 more episodes mention Brill Building.

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