Executive producer is Brad Winderbaum.

I think the X-Men are, it's about human relationships.

It's about people.

It's about, it's about, you know, the struggles that actually every single person has living in this world and, and, and wanting very human things, even though they're mutants.

And being mutants and, and having to deal with society and, and, you know, they have to, they have to fight for everything that they desire.

He talks season three.

Season three brings to life a lot of characters that we haven't seen since the original series.

We showed a little bit of, we showed a little bit of the season at Comic-Con, and that's just the tip of the iceberg.

I didn't know that

Yeah, my first day at ...

I, so I got brought into the Iron Man office as a production assistant.

It was just me, Jon, his assistant, and the accountant, and Louis D'Esposito, who was the line producer, EP, uh, and his assistant.

And I'm just getting their coffees and doing their photocopies.

And on the first day there, I meet another assistant named, named Steven Broussard, and another assistant named Jeremy Latcham, and this young executive they just made a VP named Kevin Feige.

Like, you don't, you don't see that

...

So I feel like maybe there were some different challenges or different procedures for Born Again than creating something from scratch like Hawkeye or WandaVision.

Yeah, I mean, it is quite different.

Like the...

When the project of Born Again was originally conceived, it was playing like, you know, a little too fast and loose with continuity.

And I was kind of like, are we sneaking by? Like, are we going to be able to do this? I was a fan of the original shows.

So it always was like, well, don't want to contradict anything.

But I think there was a little bit of hesitation to like embrace all the continuity of the Defenders side of the universe.

like were you guys aware that you were like changing the lives of like every American child between the ages of like eight and 25?