Boston Review

I guess it's amazing to think about that now.

It was in Boston Review.

And yeah, I was already kind of interested in the Hamilton, what I thought of as the Hamilton cult developing.

Not that I could have possibly predicted ever an amazing cultural phenomenon like the musical, Hamilton: An American Musical, would have ever come along.

I mean, there's so much just going through, you know, my feeds and people's articles right now.

My colleague, Jean Theo Harris, has a piece in Boston Review that I was just reviewing before coming on here of sort of, you know, I think a theme is there's ways that 9-11 is talked about as a watershed moment.

And there's a lot of pushback against that as this turning point.

Suhaima Mansour Khan, she posts under the moniker that Brown Hijabi had written about in her, she was kind of rewriting or posting about her book, Postcolonial Banter, that why is this performance of violence held as so exceptional, right, as opposed to the other forms of terror, like what gets labeled as terrorism, obviously.

Instead, they've encroached further west seizing control of you know 70 of gaza uh entrenching their presence there completely raising that area building bases roads building miles and miles of this massive earth berm barrier this giant wall cutting across gaza and meanwhile in all of this you have donald trump's board of peace which was approved by un security council resolution last year and it's supposedly tasked with overseeing the ceasefire, overseeing Gaza's reconstruction and governance.

And Nora, you had this long read in the Boston Review last month, which I encourage everyone to look up and read.

It's titled Exit and Exception.

And you write about a great detail about how the Board of Peace itself is a model or could be a model for governing Palestine or reflects these designs for a new world order.

And we're going to continue to, we're working on a story about it at Dropsite.

Noraraka, just last question as we wrap up.

You write at the end of this really excellent piece in the Boston Review, you say, Israel's mode of supremacist survivalism predicated on the denial of Palestinian humanity and the presumed superiority of Jewish life remains the most pressing front in this struggle.

If the final blow to a fallible global order was dealt in Palestine, then any attempt at its restoration must begin there as well.

Faraz is a researcher in mental health and human rights who's based between New York and his native South Africa.

His short stories and travel writing have appeared in Granter, The Boston Review, and The Sunday Times.

In 2016, he won the Commonwealth Short Story Prize for the African region with his story, The Pigeon.

Motherland is his debut novel.

So step away from the computer or typewriter for a bit and join us.

[upbeat music] Today my guest is author Cara Benson, whose writing has been published in The New York Times, Boston Review, Orion Magazine, Sierra Magazine, the Brooklyn Rail, Terrain, and selected for Best American Poetry.

She has received a New York Foundation for the Arts fellowship and a BP Nichol Award.

She wrote a series on walking in the woods for the Best American Poetry website and taught poetry in a New York State correctional facility for eight years.

Kieran is also the author of Midlife, a Philosophical Guide.

His writing has appeared in the Los Angeles Review of Books, the New York Times, Boston Review, London Review of Books, the Atlantic, and the Yale Review.

As always, we're Untangled, the podcast from Muse, the brain-sensing headband dedicated to unlocking your brain's potential.

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And I was very, I hadn't kept up with it.

It was when I did a search, a Google scholar search in 2017, because there was a discussion of Robinson's book in Boston Review, an article that Robin Kelly had written.

And I realized, that's when I realized how popular book was and I made every effort, I began to make every effort, therefore, to republish my 1984 critical review.

And I didn't find much interest on the left and in the progressive world.