Born in Flames

Yes, our funding drive is in a couple of weeks, but we're doing numerous events and you are welcome to come to Establishment Brewing to check out the live broadcast.

And then at 7:00 PM, uh, along with Calgary Cinematheque, we are, uh, going to be watching at 7:00 PM Lizzie Borden's Born in Flames.

So I tried to pick some music.

I'm spinning vinyl this afternoon, kind of in the theme, I guess you could say, of our funding drive, Brave New Airwaves, playing you some outsider music, some insider, you know, the usual Spin Evolution fare if you are a listener.

There's an article on the use of gender side as a means of control.

There's a movie, The Fall of 1983, Lizzie Borden film, Born in Flames.

There's loads of other stuff too.

It's not often that like, underground bands such as yourselves have websites at all.

We are gonna make it through all of these movies.

So, um, in this episode, we are going to be talking about Born in Flames and Pandora's Box from 1929, a silent film.

So we are gonna jump right in, Will.

We are gonna talk about Born in Flames.

So for those of you who have not seen it or have not heard of it, like me before I was getting ready for this episode, it is a movie from 1983.

It is an American utopian, dystopian, docufiction drama directed, produced, and co-written by radical intersectional feminist Lizzie Borden.

... good, not just I respect it, but this might be a truly great film.

And I walked away f- you know, we've talked about this before.

So we talked about two radical near-future pseudo-documentary American dystopia films.

We talked Peter Watkins' Punish and Park from 1971 and Lizzie Borden's Born in Flames from 1983.

Yeah, yeah.

It's both really amazing films.

to feel her shoes.

Hey everyone, welcome back to another episode of Sleazoids, the podcast where we go down the rabbit hole of 20th century genre fare from the most influential canon classics to the trashiest exploitation films we can get our hands on and invite you to tag along in helping us create a canon of sleaze.

Each week is a double feature grindhouse style where we discuss two films loosely related by subject, genre, actor, filmmaker, or franchise.

And at the end of each episode along with our honorary Sleazoids which you can become by subscribing on Patreon.

Next week, we are doing some near-future political pseudo-documentaries recommended by one of the patrons.

So join that sleaze, and maybe you'll get some sweet power yourself.

Exactly.

We decide on all the official ratings and rankings for every film that we cover as well over there.