Bombalurina

But what do you remember about the storytelling part? 'Cause, like, there's, you know, there's, Tugger's got a very set part of their, you know, part like, "Hey, they're the rockstar cat.

This is what they're doing." But then there's a lot of loose interpretations of, like, how do you play the relationship with Mistoffelees and Bombalurina and Grizabella.

So how much was told to you, and how much did you, over the course of your multiple years of doing the show, kinda add in? Or did you not even think about it that much?

Um, so we started rehearsing in, in, in this first production that I did with Chrissie Cartwright and, and then we had, I, I had the privilege to, to work with Gillian Lynne, uh, for a week.

In the beginning it was a ve- it was not a very sexual thing.

It was more like a, an adolescent ADHD kid who was just messing with everybody all the time, especially with Munkustrap.

Um, and, um, and then it later in, in my, in my later production of Cats, then it was, I, I felt that sexual energy more and the, the sexiness of the character, um, which also has to do with more, um, stillness and with, um, with looks and with, you know, like a, mm, especially with Bombalurina, more like a seductive, uh, energy.

And that, that has-