Bodhi

I would be intrigued.

I was also thinking, too, and I know that this is dangerous water to be treading, but I'm still going to blot this out anyway, okay? What if they do, like, make the series kind of a prequel-esque series where they bring in an actor to play a young Bodhi, a young Patrick Swayze.

Yes, a young Bodhi, yes.

And have him, like – because you know at some point he had to become this – this major live life on his own terms, break all the rules, and challenge authority type surfer character.

But when did that happen? What triggered that? So what if they bring in a younger actor to play Patrick Swayze's character, Bodhi, and start from the origins? Find out, okay, why is he living life like this? Why is he living life to the extreme? Why is he an adrenaline junkie? Here's the deal.

Lay it on me.

It's not that I dislike your idea, but the problem is

And the reason is, I don't really...

Now, when it came out, we were like, Johnny Utah is so fucking cool.

And then Bodhi, I mean, Patrick Swayze at his hottest.

You can take, what's his name? Johnny from Dirty Dancing.

You can have him.

Give me Bodhi from Point Break.

Now we're talking, okay? And so there's that.

So there's Dracula, Point Break.

I'm Adam Kempenaar.

Patrick Swayze there as Bodhi in Kathryn Bigelow's Point Break.

My number one film of 1991, actually not, my number five probably, if it was really 1991, but it's not.

I am an FBI agent.

And am I our star waterman? But also the only real action sports aficionado.

And quite the philosopher a la Bodhi as well.

So I think it's probably a triple threat for me in this one.

Damo, would you agree?

Rookie FBI agent Johnny Utah is learning to ride the waves.

His mission, infiltrate a group of extreme surfers who may be the ex-presidents, bank robbers whose M.O. includes wearing masks of former White House denizens.

Keanu Reeves portrays Johnny, Patrick Swayze's charismatic thrill-seeker Bodhi, and director Catherine Bigelow delivers an adrenaline rush of gnarly rides, skydives, and danger in Point Break.

In 2009, Bigelow again explored risk and recklessness and became the first woman to win the Oscar for Best Direction with her bra viewer handling of The Hurt