Bill L. Norton

It's time.

It's time to get into Gargoyles by 1972, directed by Bill L. Norton, starring Cornell Wilde AKA- Um, I don't know, a, a doppelganger of, um, Ernest Borgnine in a way.

It's like a, it's like a-

Oh

The

director of the film Deadly Whispers was Bill L. Norton, and he also directed Baby, Secret of the Lost Legend in 1985.

I just had to ask you guys if you remember that movie because when I saw the name of that movie, I was like, oh my God, like instantly memory unlocked.

I loved the movie Baby.

Oh, my God.

Directed by Bill L. Norton.

Watch out.

The gargoyles are here.

You had to wait for it.

It was directed by Bill L. Norton, who did Baby Seeker and the Last Legend and More American Graffiti.

It was written by Stephen and Eleanor Carr, who also wrote The Jane Mansfield Story and Devil Dog, The Hound from Hell.

Gargoyles may be uneven, but it has moments of sheer joy.

The original screenplay for Losing It was titled Tijuana and was conceived as a deeply nostalgic personal look back at Southern California youth culture in the mid-1960s.

Bill Norton, who had been working in Hollywood for more than a decade writing films like the 1977 musical drama Outlaw Blues and Convoy, and writing and directing the 1971 Chris Christopherson drama Cisco Pike, and the 1979 sequel to American Graffiti, was an early 20-something man in 1965 and would draw on some of his own personal experiences to form the screenplay, along with his friend Brian Gindorf.

An early version of the script would feature a younger sister for Dave named Wimp, described in a casting notice as a Christy McNichol-like character, who, as the screenplay evolved, would become Dave's firework-obsessed little brother Wendell.

The movie would be produced by Garth Drabinski, the flamboyant CEO of the Canadian exhibition company Cineplex, and his producing partner, Joel Michaels.