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Bill Haley & His Comets

Bill Haley & His Comets

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Search complete. 32 mentions across 20 episodes found for "Bill Haley & His Comets".

Sep 27, 2026

Jay CraftHOST
22:53
I don't think the Big Bopper was really inspiring a whole lot of crime back then.
Jay CraftHOST
22:58
I don't think fucking Bill Haley and his Comets were causing riots, and I don't think that fucking Little Richard was inspiring people to commit rapes.
Jay CraftHOST
23:08
I just don't think that that was happening.
Jay CraftHOST
23:10
And so here is this weird guy...
Scott TurnerHOST
65:43
All right.
Scott TurnerHOST
65:51
okay so uh we're looking at the very end of september and a few days into october so we're looking at the week of september 28th to october 4th we're gonna go back we don't do this very often we're gonna actually go back 70 years uh this concert of note because this was 1956 september 29th bill haley and the comets the platters chuck bearer the clovers i think there was frankie lyman and the
Ivor HamiltonHOST
66:16
No, Chuck Berry was not on that.
Ivor HamiltonHOST
66:18
He was on the first one.
Ivor HamiltonHOST
66:26
I tried to find if there was any local acts, but apparently there wasn't on that one.
Scott TurnerHOST
66:30
Oh, okay.
Scott TurnerHOST
66:32
So this show is significant because it was the second time Bill Haley played the Maple Leaf Gardens.
Scott TurnerHOST
66:40
And just earlier, months earlier in the spring, it was April – Bill Haley played for the very first time in Toronto and the significance of that show was widely considered as the very first rock and roll show in Toronto at Maple Leaf Gardens.
Adam ReaderHOST
9:00
It's one of the most important songs in music history, if not the most important, because it was the first, and owes all its success to a personal feud, a lucky break, and an enthusiastic nine-year-old kid who couldn't stop listening to it from a legendary artist who had 18 hits, but it's been completely forgotten.
Adam ReaderHOST
9:17
Number five, I got Rock Around the Clock by Bill Haley and his Comets.
Adam ReaderHOST
9:25
Rock Around the Clock, that was written by Max C. Friedman and James Myers and Bill Haley began playing it live in about 1952.
Adam ReaderHOST
9:32
He loved it and he knew he had something with it.
George FeltensteinGUEST
29:03
And it was just starting to become the hit record that it became.
George FeltensteinGUEST
29:11
It's Bill Haley and the Comets Rock Around the Clock.
George FeltensteinGUEST
29:14
Not unlike American Graffiti.
George FeltensteinGUEST
29:16
It opens up with Rock Around the Clock under the main titles.
RyanHOST
8:37
I got yelled at because I was mixing monitors, and I thought there were channels at the end of the monitor.
RyanHOST
8:43
It was like one of those old PV, like four channels, and it was like Stephen was recording, Bill, Pegren, and there was these ones at the end that were like barely on.
RyanHOST
8:56
And I'm like, oh, those probably aren't even working.
RyanHOST
8:58
And I just turned him down.
RyanHOST
8:59
And Bill was like, where'd my whole drum kit go in my monitors? I was like, oh, shoot.
RyanHOST
9:05
Turn it back up.
RyanHOST
9:06
Yeah.

5 MINS LATER

ScottHOST
14:07
The fact that I feel like of the people we're going to talk about, this was the beginning of him coming back up is interesting in the context of when we've talked the last... few episodes about this fascination in the mid, like, early to mid-80s with, like, looking back at that era of rock and roll.
Big CHOST
51:26
Oh, yes, way back in the late 50s, Rocking Through the Rye.
Big CHOST
51:31
Do you know that one by Bill Haley and the Comets? No.
Big CHOST
51:34
Rocking through the rye.
Big CHOST
51:36
Got banned for not meeting traditional British standards.
Matt the CatHOST
16:30
He was hired by Decca in 1941 and would work with Louis Jordan and many others for a long time.
Matt the CatHOST
16:37
In 1954, he was responsible for signing Bill Haley and the Comets to Decca.
Matt the CatHOST
16:43
So not only did he have a huge impact on jazz and R&B, but he was also partly responsible for bringing rock and roll to the mainstream.
Matt the CatHOST
16:51
The other important thing about this session from July 21st is it was Louis' last session before the recording ban of 1942.
Steve WoodsGUEST
8:52
Right.
Steve WoodsGUEST
8:52
You know, like Bill Haley.
Steve WoodsGUEST
8:53
Bill Haley and all of that.
Steve WoodsGUEST
8:55
We're now moving into the world of pop stars for the first time.
Steve WoodsGUEST
9:00
People like Bobby Darin, 1962.
Steve WoodsGUEST
4:55
Right.
Steve WoodsGUEST
4:55
You know, like Bill Haley.
Steve WoodsGUEST
4:56
Bill Haley and all of that.
Steve WoodsGUEST
4:58
Yeah.
Steve WoodsGUEST
4:58
We're now moving into the world of pop stars for the first time.
Ferris KennedyHOST
3:48
just is.
Ferris KennedyHOST
3:50
And we got on the 7th of June of 1954, Bill Haley and his Comets cover Shake, Rattle and Roll.
Ferris KennedyHOST
3:58
You gotta shake, rattle and roll.
Ferris KennedyHOST
4:01
It was a big
Ian ClarkHOST
4:02
It was a big deal.
Steven WheelerHOST
4:03
And now the 19th of March, 1955, we have the first multimedia version of rock in a way.
Steven WheelerHOST
4:10
The film Blackboard Jungle is released and it plays a pivotal role in introducing rock and roll with its social commentary on teenage antisocial behavior with Bill Haley and his Comets rock around the clock as a theme song.
Steven WheelerHOST
4:24
And it hits number one

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