Ballet
15
MENTIONS
7
EPISODES
7
PODCASTS
Search complete. 15 mentions across 7 episodes found for "Ballet".
Sep 11, 2026
Hansel and Gretel: Into the Woods
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4:17Felicity StiversonGUEST
And so I think that choreography and having a background in that is a really useful and vital skill in creating dynamic and exciting works of opera.
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4:25Hallie GeyhHOST
How is movement and dance related to Hansel and Gretel? And I would love to hear a little bit more about how you're incorporating the Sarasota Ballet along with your characters who are opera singers.
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4:41Felicity StiversonGUEST
Yeah, we're doing such a cool collaboration with the ballet.
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4:43Felicity StiversonGUEST
I'm using those dancers in a few really cool ways in this opera.
S2 Ep19: David Hepworth - New Musical Express 10 June 1967
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73:22Chris ShawHOST
So you think it's the flower power era.
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73:25Chris ShawHOST
So you've got the latest from Iowa's Lord Kitchener's Ballet.
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73:28Chris ShawHOST
Lord
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73:28David HepworthGUEST
Kitchener's Ballet, yes.
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73:30David HepworthGUEST
It's military stuff, isn't it?
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73:33Chris ShawHOST
Yeah, wasn't it old stuff from the war? Some
👑 Zoya by Danielle Steel | Revolution, Survival & Lost Aristocracy
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4:07speaker_1HOST
It was the crown jewel of Russian culture.
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4:10speaker_1HOST
And Diaghilev's Ballet Russes was revolutionizing art across all of Europe.
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4:15speaker_0HOST
Right.
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4:15speaker_1HOST
Yet, for a young woman of Zoya's rank, becoming a professional dancer was completely unthinkable.
The Girlie Show’s Sarah Cawood – “I was never a ladette!”
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2:22Miranda SawyerHOST
If you think about the beginning and the end, it completely changed.
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2:24Miranda SawyerHOST
But when it started, you were in a bit of a tricky position because you were, essentially, you were a ballet dancer and you had joined the Royal Ballet School when you were 16, is that right? Yeah, just 17.
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2:37Miranda SawyerHOST
And you were just about to leave, basically.
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2:39Miranda SawyerHOST
You were kicked out because they were very strict and you didn't like them.
Perspective Monday
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41:54Denise Finnegan-HillHOST
That was the case for this ballet called Age of Gold.
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41:59Denise Finnegan-HillHOST
The work was initially censored due to its inclusion of European dance styles, despite following the plot of a Soviet football or soccer team playing in a Western city and eventually working together with the Western workers to overthrow their capitalist overlords.
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42:16Denise Finnegan-HillHOST
This is a ballet suite from Age of Gold, performed by the New Zealand Symphony Orchestra under the direction of Christopher Lyndon Gee.
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42:39Denise Finnegan-HillHOST
¶¶ ¶¶ ¶¶ ¶.
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44:35Denise Finnegan-HillHOST
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13 MINS LATER
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58:04speaker_6UNKNOWN
¦ ¦ Thank you.
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59:06speaker_6UNKNOWN
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59:29Denise Finnegan-HillHOST
Music of Dmitri Shostakovich, Ballet Suite from Age of Gold.
Ep 16: No More Dating Apps (ft. Precious Adams)
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42:19JoeyHOST
Well, I think you know what he means.
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42:20Precious AdamsGUEST
Non-ballet, non-ballet.
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42:20CamHOST
Non-ballet.
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42:21Precious AdamsGUEST
Yeah.
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42:22CamHOST
Non-ballet.
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42:22Precious AdamsGUEST
I never, I've never dated a, like, a dancer before.
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42:24CamHOST
I was gonna ask you that.
Yavapai Ballet Theatre to Make Prescott Debut
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0:00speaker_0NARRATOR
Text-to-speech audio articles made possible on the cast11.com podcast network by Fain Signature Group.
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0:08speaker_0NARRATOR
In ballet, the reverence is a sequence of bows extending gratitude and respect to the audience for sharing in the artistry and storytelling the dancers present on stage.
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0:17speaker_0NARRATOR
Yavapai Ballet Theatre has taken the word for the name of its first gala, and put it at the beginning.
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0:22speaker_0NARRATOR
Sunday, August 23 at 4 p.m. at the Elks Theatre, 117 East Gurley Street in downtown Prescott, YBT makes its public debut alongside three Arizona Philharmonic musicians playing at floor level a few feet from the dancers.
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0:35speaker_0NARRATOR
The Afternoon marks the public start of a partnership that runs through YBT's 2026-27 season, with live accompaniment planned across its productions.
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0:44speaker_0NARRATOR
YBT launched in January 2026 as a non-profit performance and education organization rather than a studio.
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0:50speaker_0NARRATOR
Founder and artistic director Emily Sosangelis-Tilecoat trained at the Rock School of Philadelphia and the Yale Ballet Company, and she works as a freelance dancer and local ballet instructor.
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1:00speaker_0NARRATOR
She has built the company on a partnership model in which dancers keep training at their home studios and come together for YBT productions.