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Search complete. 105 mentions across 25 episodes found for "APS-C".

Sep 18, 2026

Jeff CarlsonHOST
18:38
But
Kirk McElhearnHOST
18:38
do these apertures correspond to apertures on cameras with – on lenses on real cameras? Or is there some kind of – Multiplication factor, like when we're talking about APS-C lenses and focal
Jeff CarlsonHOST
18:59
lengths.
Jeff CarlsonHOST
19:00
There is math involved, and I don't know what it is.
Nate AhanHOST
22:00
We should do that.
Jake WeislerHOST
22:01
I was actually texting Tharpy about those, like buying APS-C lenses for full frame cameras right now is very trendy.
Jake WeislerHOST
22:08
Because it creates, you see the...
Jake WeislerHOST
22:09
You kind of see the black.
Nate AhanHOST
22:13
Yeah.
Jake WeislerHOST
22:14
Plus too, I actually just did a post.
Jake WeislerHOST
22:16
They bought a 110 millimeter APS-C lens.
Jake WeislerHOST
22:22
And so they could crop in to hide the vignetting or they could show the full lens as part of the shot.
DanielHOST
44:49
Yeah.
DanielHOST
44:49
And it has the advantage of APS-C.
LucasHOST
44:50
Mm-hmm.
LucasHOST
44:51
Right.
LucasHOST
46:09
...
LucasHOST
46:09
in a, in a way
DanielHOST
46:09
... because of the APS-C crop.
DanielHOST
46:11
Yeah.
SeanHOST
13:16
So this can do a couple of different things.
SeanHOST
13:19
I believe by default it will punch you into APS-C.
SeanHOST
13:22
So you rack it one way, it goes to APS-C for a quick 1.5x crop, and then you rack it the other way and it takes you back out to full frame.
Clyde VaughanHOST
13:30
Yeah.
SeanHOST
13:30
Um, but you can also set it to, um, punch directly to a, a preset focus distance.
Clyde VaughanHOST
15:36
Join the Scene community at sony.com.au forward slash scene or sony.co.nz forward slash scene to learn more.
Clyde VaughanHOST
15:48
Yeah.
Clyde VaughanHOST
15:49
Just quickly on that APS-C crop mode on the quick function ring.
Sharky JamesHOST
20:27
If you're in Fujifilm's X-mount system like me and you want to shoot things far away for even more reach, you might want to have a look at the new Fujinon XF400F4.5R LM OIS-WR.
Sharky JamesHOST
20:43
a lens that works out to be a little over 600 millimeters when you factor in the crop factor since X series is APS-C.
Sharky JamesHOST
20:51
And if you pair it with Fujifilm's 1.4 and two time teleconverters, well, separately,
speaker_1UNKNOWN
20:57
not together, of course,
John ShephardGUEST
44:05
Mm-hmm
Mark SadowskiHOST
44:05
... um, the, the, again, I don't have anything official from Fujifilm, but the size of the sensor appears to be four APS-C sensors-
John ShephardGUEST
44:17
Oh
Mark SadowskiHOST
44:18
... put together.
Mark SadowskiHOST
44:22
... two in the bottom.
John ShephardGUEST
44:24
Right.
Mark SadowskiHOST
44:24
And then your pet crop is going to be basically two APS-C sensors.
John ShephardGUEST
44:31
Hmm.
Richard HorowitzGUEST
18:28
So we use Hygienics Lab.
Richard HorowitzGUEST
18:30
If you get a 23-band ASP-C, outer surface protein C, 31-band outer surface protein A, 34-band outer surface protein B, 39-band, very specific, or an 83-93.
Richard HorowitzGUEST
18:46
So you get one of these bands with a chronic fatiguing musculoskeletal illness coming and going, good and bad days, migratory pain, better or worse with antibiotics, bingo, you have Lyme disease.
Richard HorowitzGUEST
18:58
And it's literally that simple.
SeanGUEST
8:03
So if you're shooting full frame, that means you'll get a circle in the middle of your frame.
SeanGUEST
8:07
If you're shooting APS-C, it means you'll have like these, you know, the, the part of a circle on the edge of the frame, but it will kind of crop at the top and bottom.
Clyde VaughanHOST
8:14
Yeah.
SeanGUEST
8:15
Um, and that also applies if you're shooting video on this.
SeanGUEST
8:47
That's right.
SeanGUEST
8:47
Yeah.
SeanGUEST
8:47
So, um, actually the, the dot in the middle of the range there, uh, which is around 11 mil, um, that is the diagonal for APS-C.
Clyde VaughanHOST
8:55
Oh, okay.
Paul RyboltHOST
61:09
It has a lot of capability in the menus and all that that you found out, Stephen.
StephenHOST
61:14
Yeah, and for me, an APS-C sensor is perfect because I want to put a 28mm prime on it, and that works out to be a 42mm equivalent focal length.
StephenHOST
61:22
And that's something I love from rangefinder cameras like the Olympus 35 SP.
StephenHOST
61:27
So really, other than something like the Canon 40mm f2.8 Pancake, there aren't a whole lot of autofocus lenses in that focal length.
James ArteusHOST
20:42
Right.
Mike HarrisHOST
20:43
So I've always thought, and I've said this many times when I've written articles about the one system, was if only it was APS-C.
James ArteusHOST
20:49
Right.
Mike HarrisHOST
20:50
But what about, can you imagine a world, a parallel universe, where it's micro four thirds?

8 MINS LATER

James ArteusHOST
29:01
No.
Mike HarrisHOST
29:01
It's just so different, especially at the beginning of the Z mount's lifespan because you just had two cameras, two full frame cameras, two big expensive full frame cameras.
James ArteusHOST
29:12
I suppose the difference comes when you introduce APS-C and things like, and then you get someone like, I'm sure you know from your days working with retail, you get people coming into the store like, oh, so I've got this Nikon camera and this lens.
James ArteusHOST
29:22
Why doesn't it fit on this body? Oh, that's because that's an APS-C version of that.

15 more episodes mention APS-C.

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