Ann Demeulemeester

Dries was bad.

Ann Demeulemeester was dreadful.

And I'm like, "What are you guys doing?"

You know, with Margiela, um, I'm very surprised because on paper, between Glenn and, and the Maison it would have been, like, a perfect fit, you know?

Yeah.

Yeah.

So yeah, I don't-- And I mean, Ann Demeulemeester, it's not even worth talking about what's going on there.

You know?

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[upbeat music] Was there some other stunty casting? I did observe Josh Homme at the Ann Demeulemeester show.

Okay.

That blew my mind.

[laughs]

Because I put a note in the doc that was like, "Ethel Cain closed the Ann Demeulemeester show." I looked at that show.

I did not recognize him.

This is the biggest glow up I have ever seen a man have.

And how did you make your s- your way to the Royal Academy of Fine Ar- Arts in Antwerp?

You know, coming from that background, then I move, we moved to Holland, and then you had the whole austere world of Antwerp, where you had Anne Demeulemeester, and Martin Margiela, and Dries Van Noten.

It, it was, it was a new world for me that I did not understand.

And to enter that austerity and the way they respect the body, the, the woman, the men, everything, it was just something new for me, which was very quiet and silent, and I wanted to understand that.