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Angela Carter

Angela Carter

English novelist and short story writerWikipedia

Search complete. 35 mentions across 20 episodes found for "Angela Carter".

Oct 30, 2026

Gar O'Brien CollinsGUEST
10:36
But this is filmed entirely in the UK then.
Gar O'Brien CollinsGUEST
10:38
It's again kind of looking at folklore but non-Irish, kind of reimagining Red Riding Hood, a tree with the works of Angela Carter.
Gar O'Brien CollinsGUEST
10:46
She had a collection called The Bloody Chamber and a radio play this was based on.
Gar O'Brien CollinsGUEST
10:50
So the filmmaker, unlike Deocast, is the only real Irish connection here, but they both provide a kind of interesting example for how Irish filmmaking and Irish horror filmmaking in general would go on.
Daniel FoxxGUEST
18:24
Caroline Duffy's done it.
Daniel FoxxGUEST
18:25
Angela Carter did it.
Daniel FoxxGUEST
18:26
There's this kind of like real history of kind of using that baseline of a thing that we all know.
Daniel FoxxGUEST
18:32
And you can do things with it, make it spooky, make it funny, make it adult, whatever it is.
Michelle Anya AnjirbagGUEST
22:46
First of all, I mean, I love the Oscar Wilde literary fairy tales.
Michelle Anya AnjirbagGUEST
22:50
He's a great example of the decadent movements kind of return to the fairy tale to reclaim its subversive moments to really look at kind of what was maybe magic in the fairy tales they draw from becomes occultism and really turning towards forbidden desires and this kind of individualism that sort of came about with the decadent movement.
Michelle Anya AnjirbagGUEST
23:10
And there is an argument for looking at that as a unique point in time connected to the Gothic that then speaks forward to a lot of contemporary work from Angela Carter through Anne Sexton, through Francesca Leah Buck in the 2000s to Lottie Mills, who published an incredible volume called Monstrum today.
Michelle Anya AnjirbagGUEST
23:30
So Monstrum was published in 2024 by Lottie Mills, which does a lot of the same sort of unlocking and opening up the tales that Angela Carter did, but for a new generation, Francesca Lia Block wrote The Rose and the Beast in 2001, I believe was the publishing date for that.
Ryan TubridyHOST
12:03
That goes back to kind of a take on a fairy tale again.
Neil JordanGUEST
12:06
It'd be a bit like a James Stevens world, you know, through the mind of Angela Carter, really.
Neil JordanGUEST
12:10
But, you know, werewolves and all that sort of stuff.
Neil JordanGUEST
12:12
But to me, it's extraordinary that the only game in town at the moment seems to be the horror film.
Aaron KavanaghHOST
55:20
Where with Cherry Tree, and, you know, I know you mentioned that it's kind of an older song, but, you know, it seems to be kind of like, you know, using kind of mythological and sort of fairytale-y, you know, obviously, I mean, there's Red Riding Hood kind of framing of it.
Aaron KavanaghHOST
55:36
which kind of remind me of like, you know, someone like Angela Carter, you know, the writer, you know, she did like, you know, she would kind of like do these kind of like deconstructionist, kind of like feminist retellings of old fairy tales.
Aaron KavanaghHOST
55:51
And, you know, our most famous one, I think probably because there's a band name after it is Wolf Alice, which was about red riding hoods.
Aaron KavanaghHOST
55:57
That's kind of, When I was listening to the song, I was thinking of that short story in a way.
China MievilleGUEST
22:40
But also what interests me even more is that I can't find a correlation with the style of book.
China MievilleGUEST
22:46
Because, for example, if I read like Angela Carter, like to me, these feel in the most incredible possible way, like these kind of fever dreams that sort of immerse.
China MievilleGUEST
22:55
And you look at her notebooks, assiduous planner, down to the point, you know.
China MievilleGUEST
23:00
And it feels really counterintuitive to me.
Brent BamburyGUEST
18:11
I talked to John Cage.
Brent BamburyGUEST
18:13
I talked to Angela Carter, you know, Kathy Acker, all of these people that, that were, you know, superstars, Philip Glass, Laurie, Laurie Anderson, you know, they, all of those people I got to interview and, And I was just so young.
Brent BamburyGUEST
18:27
For me, it was like, oh, I'm living this program.
Brent BamburyGUEST
18:31
But at the same time, I'm bringing it to people who I think are interested in it.
Gray Robert BrownHOST
14:50
I'm not pretending that we're going to resolve that now and that that's something we can just continue talking about on the podcast.
Gray Robert BrownHOST
14:56
Do you know, there's an adapter who used to run The Globe called Emma Rice, who famously, her adaptations of Angela Carter novels were really, really well received into plays.
Gray Robert BrownHOST
15:12
But she said something about adaptation that always really stuck with me, which was that when asked about her process, she said that she would, she obviously came at it from a love of the piece, and she would reread the novel, put it down, recreate it as in like write her script with the story as a memory.
Gray Robert BrownHOST
15:33
And then she would go back to the source material and basically go, is there anything that I didn't remember that is worth including? And the point being that most nine times out of 10, if you don't recall it, then it probably didn't make that impression on you.
Georgia HumphreysHOST
12:16
And of course he comes home, sees the blood stained key and sort of like attempts to murder her.
Georgia HumphreysHOST
12:25
Very famously, this was kind of like recontextualized in the bloody chamber by Angela Carter, but that's very much something that infused a lot of those Gothic romances and in fiction and then in like the 1940s and 50s in Hollywood so something like Rebecca but you've also got like Dragonwick with Gene Turney and Vincent Price you've also got Gaslight which is sort of like literally the film that gave term to the term gaslighting in which a woman is driven insane in her home by her husband and she thinks that she's seeing things and you know he essentially wants to murder her to you know inherit her money um and through that sort of like domestic terror you've got the emergence of the double and the other as the 50s start to go on you have Hitchcock come in obviously with things like Rebecca but then starts to have more psychological thrillers that you know in the vein of Psycho but also Marnie you've got Robert Wise's The Haunting um And the Innocents, you've got Tennessee Williams and all the sort of like mad women of Southern Gothic that are occurring through A Streetcar Named Desire, Elizabeth Taylor and Suddenly Last Summer.
Georgia HumphreysHOST
13:37
And then as it starts to shift towards the 60s, you have this European art house with people like Bergman doing Persona, Cries and Whispers.
Georgia HumphreysHOST
13:47
And then it puts us perfectly in this place towards like the 60s and 70s where the Hays Code, the production code, which was the self-censorship which governed Hollywood from the 1930s to the 1960s, starts to lift.
SerenaHOST
11:07
So there's nine of them apparently and yeah they all have this nice pattern to them.
SerenaHOST
11:14
and i mean i haven't heard of a lot of them there's the yellow wallpapers in there and nights at the circus by angela carter and all the rest of them i've never heard of but you know what i want to go and find them now
RachelHOST
11:25
I love that as a series I was going to say to you I got another of the British Library anthology books we love them we do love them this one is insect horror so I was between these books are amazing it's just like a collection of stories based around usually a horror theme and I was between that and there's also a botanical horror one but I went for the insects in the end
SerenaHOST
11:53
that is going to be so creepy
Aslı TohumcuGUEST
11:49
There I realized that, you know, we don't have much retellings in Turkish, in Turkey.
Aslı TohumcuGUEST
11:55
So and then I met Angela Carter and then I met Susanna Clark and such stuff and I love reading in English and I started reading a lot of retellings and I said yeah that's That's something.
Aslı TohumcuGUEST
12:12
Because I was always writing in a very realistic way.
Aslı TohumcuGUEST
12:15
The men's violence, the threats, you know.

10 more episodes mention Angela Carter.

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