Andy Goddard

yeah well i guess if he was barrowman these days as well in terms of working with them

see series six ends with jack still on the team but by the time series seven comes around the whole thing's gone down with barrowman so they sort of they had to work out a way to just not have jack in season seven and i think it does work it does work but but yeah i mean he did just kind of vanish but interestingly actually nice segue to this i think some of the best work big finch ever did with torchwood is about five or six of those stories Owen and Andy is appearing set during Owen's time after this as a dead man, which I think is some of the darkest stuff they ever did as well.

Yeah,

yeah.

So I guess they kind of set that up in a prior episode where he was in like a combat arena with them and sort of beat them.

But I think here it's like, again i like the idea that he's changing and now the weevils don't recognize him as prey essentially so he's able to do this yeah and like can they pay that off then again later in the finale where then he can walk through cardiff with all the weevils in the streets while no one else can

yeah yeah i think it's quite a dynamic sequence i think andy goddard who directs the second episode and the third episode kind of really i think it's good that it's the same director for those two episodes you were actually way directing the first one But I think Andy Goddard, because it's really, it's almost like it's a Martha trilogy, but it's an Owen duology within the trilogy.

And these two episodes are very directly linked as well.

The production manager was Elizabeth Campbell and the music was composed by James Whittle.

The programme was recorded at Sonica Studios and was directed and produced by Andy Goddard and John Wakefield.