Analog modeling synthesizer

So I kind of like came out of college and went straight into working with a really great team, developing an audio library from scratch.

And my job in there was to, you know, do some of the analog modeling because the guy who'd been there for the...

I think it was like the Moog, you know, the big Moog modular he had left.

And I stepped into his shoes and did the Prophet V and the Jupiter 8.

Yeah, and the Prophet B as well.

So mostly working on like oscillator filter algorithms, that kind of thing.

Yeah, so at that point, you know, a lot of it was... uh staff x papers and you know kind of like looking through seeing what's going on uh julia smith obviously big one as well and like you know going through those papers looking at the code that was already written by previous employees and then like improving on that and like trying to always Yeah, because at that point in time, I think we were still in the stage where analog modeling was not at its peak.

You know, there was still a little bit where each year there was like, you know, Moore's law, computers were doubling so you could get more processor, then you could do fancier stuff.